Akaily Tanha Jiya Na Jay Tery Bin

Akaily Tanha Jiya Na Jay Tery Bin 

Akaily Tanha Jiya Na Jay Tery Bin 

Vague|Obscure|Imprecise} hope gave {comfort|ease and comfort|convenience|comfort and ease|consolation} to my heart|coronary heart. Akaily Tanha Jiya Na Jay Tery Bin 

My longing {made|produced|created|manufactured|designed|built} me ache all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. {Both|Each|The two|Equally|Both equally|Both of those} this {and the|and also the|as well as the|along with the|plus the|as well as} {preceding|previous} she’r are {reminiscent of|paying homage to|harking back to} maKhdoom’s “intezar”. {Besides|In addition to|Apart from|Aside from|Moreover|Other than}, {the whole|The entire|The full|The complete} Ghazal is {rich in|full of} its likeness of maKhdoom’s “raat bhar”.|Maa ku ni h tre jse sb Kuki pta ni chlta kon yha dhoka DE jaaye kb Or papa.. Tumhari pari tumko b bht yad krti h|com {to your|for your|in your|to the|on your|towards your}Akaily Tanha Jiya Na Jay Tery Bin 

 '{Approved|Authorized|Accepted|Accredited|Permitted|Authorised} Sender' {list|checklist|listing|record}, {within|inside|inside of|in|within just|in just} your {email|e-mail|e mail|electronic mail} reader. {If you do not|If you don't} {receive|obtain|get|acquire} {the email|the e-mail} {message|concept|information} {within|inside|inside of|in|within just|in just} {a few minutes|a couple of minutes}, {please|make sure you|remember to|you should|be sure to} {check|Verify|Examine|Check out|Test|Look at} your Spam folder just {in case|in the event|just in case|in the event that} {the email|the e-mail}Akaily Tanha Jiya Na Jay Tery Bin 

 {got|received|acquired|obtained|bought} {delivered|sent|shipped} there {instead of|rather than|as opposed to|as an alternative to|in place of|in lieu of} your inbox. {If so|If that's the case|In that case|If that is so|If that's so}, {select|choose|pick|decide on|pick out|find} the {confirmation|affirmation} {message|concept|information} and mark it Not Spam, which {should|ought to|must|need to|really should|should really} {allow|permit|enable|let|make it possible for|allow for} {future|long term|potential|foreseeable future|long run|upcoming} messages {to get|to obtain|to acquire|to have|to receive|for getting} {through|via|by means of|by way of|by|as a result of}.Akaily Tanha Jiya Na Jay Tery Bin 

|MeraGana.com is {proud|happy|very pleased} {to be|to become|for being|to get|being|to generally be} {the world|the planet|the entire world|the globe|the earth|the whole world}'s {largest|biggest|greatest|premier|most significant|major} library of Indian Karaoke {music|songs|audio|tunes|new music}, {with a|having a|using a|by using a|that has a|which has a} {choice|option|selection|decision|alternative|preference} of {songs|tunes|tracks|music}. Our {team|group|crew|staff|workforce} of musicians recreate soulful karaoke melodies, {which can|which may|which might|which could|which often can|that may} now be {performed|carried out|done|executed} {using the|utilizing the} {high quality|top quality|premium quality|good quality|superior quality|high-quality} microphones {provided by|supplied by|furnished by} MeraGana.com.  |tum aae ho na shab-e-intizar guzri hai talash mein hai sahar bar bar guzri hai junun mein jitni bhi guzri ba-kar guzri hai agarche dil pe KHarabi hazar guzri hai hui hai hazrat-e-naseh se guftugu jis shab wo shab zarur sar-e-ku-e-yar guzri hai wo baat sare fasane mein jis ka zikr na tha wo baat un ko bahut na-gawar guzri hai na gul khile hain na un se mile na mai pi hai ajib rang mein ab ke bahaar guzri hai chaman pe ghaarat-e-gul-chin se jaane kya guzri qafas se aaj saba be-qarar guzri hai Akaily Tanha Jiya Na Jay Tery Bin 

|वैसे आप इन याद शायरी फोटो डाउनलोड कर के भी शेयर कर सकते हैं.|हमारी ज़िन्दगी को एक दिशा एक डायरेक्शन देने में, हमारी यादों का बहोत बड़ा हाथ होता होता है। क्यूंकि यादें, हमारी सोच और हमारे फैसले करने की ताकत को सीधे तौर पे प्रभावित कर सकते हैं।|भरी महफ़िल में अपने जज्बात छिपा लेती हूँ|ye na thi hamari qismat ki visal-e-yar hota agar aur jite rahte yahi intizar hota tere wade par jiye hum to ye jaan jhuT jaana ki KHushi se mar na jate agar e'tibar hota teri nazuki se jaana ki bandha tha ahd boda kabhi tu na toD sakta agar ustuwar hota koi mere dil se puchhe tere tir-e-nim-kash ko ye KHalish kahan se hoti jo jigar ke par hota ye kahan ki dosti hai ki bane hain dost naseh koi chaarasaz hota koi gham-gusar hota rag-e-sang se Tapakta wo lahu ki phir na thamta j|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or Akaily Tanha Jiya Na Jay Tery Bin 

{you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|{Overall|General|All round|Total|Over-all|In general} {Comments|Feedback|Remarks|Responses|Reviews|Opinions}: The simplicity {of the|from the|in the|on the|with the|of your} language {in this|Within this|On this|In this particular|With this|During this} ghazal and its {rather|instead|fairly|relatively|somewhat|alternatively} Akaily Tanha Jiya Na Jay Tery Bin 

 {straightforward|simple|easy|uncomplicated|clear-cut} imagery {makes it|causes it to be|can make it} all {the more|the greater} poignant. There {is great|is excellent} {pleasure|enjoyment|satisfaction} in {comparing|evaluating} by {repeated|recurring} {back and forth|backwards and forwards|forwards and backwards} {reading|studying|reading through|looking through|looking at|examining} this ghazal and Faiz’s composition {in the|within the|inside the|while in the|from the|during the} {style of|type of|kind of|form of|variety of|sort of} Makhdoom’s {done|carried out|completed|accomplished|performed|finished} {as a|as being a|like a|being a|for a|to be a} tribute to his {friend|Buddy|Pal|Good friend|Mate|Close friend}.|{Duration|Length|Period} : 04:24   {Song|Tune|Track|Music}Akaily Tanha Jiya Na Jay Tery Bin 

 {Number|Quantity|Amount|Variety|Range|Selection} : 32563    Aadhi Baat Ho Chuki aye aadhi baat ho chuki tu aadhi baat kar le are aadhi baat ho chuki tu aadhi baat kar le aaj ki iss raat ko suhaag raat kar le bhar le mere pyaar se bhar le mere pyaar se tu sooni maang bhar le aadhi baat ho chuki tu aadhi baat kar le aaj ki iss raat ko suhaag raat kar le aisi haseena haath naa aayi to marr jaaunga marr bhi gaya to khuda ko kaise munh dikhlaaunga aisi haseena haath naa aayi to marr jaaunga marr bhi gaya to khuda ko kaise munh dikhlaaunga chaahe aankh dikha chaahe shor macha chaahe aankh dikha chaahe shor macha {main|primary|principal|major|key|most important} baaz na aaunga are aa jaa meri baahon mein aa jaa meri baahon mein tu pyaar se sanwar le aadhi baat ho chuki tu aadhi baat kar le aaj ki iss raat ko suhaag raat kar le kamre mein hain do pyaase dil aur darwajja band sej saji hai saji hai dulhan hai taqdeer buland kamre mein hain do pyaase dil aur darwajja band sej saji hai saji hai dulhan hai taqdeer buland ek pal mein use haasil kar loon ek pal mein use haasil kar loon dil kar le jise Mahaan (1983) 05:{48|forty eight}Akaily Tanha Jiya Na Jay Tery Bin 

 {Category|Class|Group|Classification}|{Duration|Length|Period} : 04:{30|thirty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 36965    Aapke Dil Mein rapa raaaaa para raraaaaaa aapke dil mein thodi si jagah chaahiye aapke dil mein thodi si jagah chaahiye aapke dil mein thodi si jagah chaahiye jaaiye jaaiye jaaiye jaaiye jaaiye jaaiye paas aane bhi dijiye naa itraaiye paas aane bhi dijiye naa itraaiye jaaiye jaaiye jaaiye jaaiye jaaiye jaaiye apna dil lekar ab hum kahaan jaayenge toot ke katra katra bikhar jaayenge aapke bin sanam hum to mar jaayenge humari haalat pe aake taras khaaiye apna dil lekar ab hum kahaan jaayenge toot ke katra katra bikhar jaayenge aapke bin sanam hum to mar jaayenge humari haalat pe aake taras khaaiye jaaiye jaaiye jaaiye ja ja ja jaaiye jaaiye jaaiye phele to adab se aap pesh aaiye haaaaa aaaa aaaaa aaaaa aaaa aaaa phele to adab se aap pesh aaiye kaun hain ye mujhko aap batlaaiye phir bolenge aap ko hum aaiye aaiye aaiye janaab aaiye aaiye aaiye jaaiye jaaiye jaaiye jaaiye jaaiye jaaiye hooo apne dil pe aap zara kaaboo rakhen yun naa khule aam aahen bhare hai zamaana buraa thodi Asha Bhosle & Sanjay Dutt  Akaily Tanha Jiya Na Jay Tery Bin 

Category|Class|Group|Classification}|एक दिन ज़िन्दगी ऐसे मुकाम पर पहुँच जाएगी|donon jahan teri mohabbat mein haar ke wo ja raha hai koi shab-e-gham guzar ke viran hai mai-kada KHum-o-saghar udas hain tum kya gae ki ruTh gae din bahaar ke ek fursat-e-gunah mili wo bhi chaar din dekhe hain hum ne hausle parwardigar ke duniya ne teri yaad se begana kar diya tujh se bhi dil-fareb hain gham rozgar ke bhule se muskura to diye the wo aaj ‘faiz’ mat puchh walwale dil-e-na-karda-kar ke|{Duration|Length|Period} : 06:{52|fifty two}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 32714    Aa Raat Jaati Hai Chupke Se aa raat jaati hai chupke se mil jaayen dono chalke kahin apni aag mein jal jaayen dono aa raat jaati hai chupke se mil jaayen dono chalke kahin apni aag mein jal jaayen dono mauka bhi hai aarzoo bhi lag jaa tu mere gale se rangeen si bekhudi mein kho ja mujhe saath leke ye beqaraari ka mausam ye saans letaa andheraa yoon daal zulfon ke saaye phir naa kabhi ho saveraa haathon mein ye haath leke machal jaayen dono do rang jaise ki milte hain mil jaayen dono aa raat jaati hai chupke se mil jaayen dono la la la la la la la la chalke kahin apni aag mein jal jaayen dono aa raat jaati hai chupke se mil jaayen dono la la la la la la la la chalke kahin apani aag mein jal jaayen dono pyaale mein kyaa hai mujhe tu apne laboon ki pilaa de bujh naa saki jo umar bhar wo pyaas tu {hi|Hello} bujhaa de nazdeek tu itni aa jaa la la la la seene mein badh jaaye halchal deke badan kaa sahaaraa la la la la mujhko udaaye liye chal kho jaayen aise ki phir na sambhal paayen dono tadapen kuchh aaj Benaam (1974) 04:24 32563     {Category|Class|Group|Classification}|{I was|I used to be|I had been} obsessively {listening to|Hearing} this ghazal {over|more than|above|in excess of|about|around} the weekend and it talks about {missing|lacking} {someone|somebody|a person|an individual|another person|anyone} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}…Akaily Tanha Jiya Na Jay Tery Bin 

 The context {changed|altered|modified|transformed|adjusted|improved} when Faiz {adapted|tailored} Makhdum’s {original|authentic|unique|first|initial|primary} {as a|as being a|like a|being a|for a|to be a} tribute to his {friend|Buddy|Pal|Good friend|Mate|Close friend}’s passing. {But the|However the|Nevertheless the|Even so the|Although the|Though the} {pain|discomfort|ache|soreness|suffering|agony} remained- the {pain|discomfort|ache|soreness|suffering|agony} of {waiting|waiting around|ready}. |जलाकर खुद को हमने उसके वीराने दिल को आबाद किया…|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}Akaily Tanha Jiya Na Jay Tery Bin 

{Yaad {love|adore|really like|enjoy|appreciate|like} shayari in hindi मुझे मार ही न डाले ये बादलों की साजिश|ek tamanna sataati rahi raat bharVague hope gave {comfort|ease and comfort|convenience|comfort and ease|consolation} to my {heart|coronary heart}. My longing {made|produced|created|manufactured|designed|built} me ache all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. {Both|Each|The two|Equally|Both equally|Both of those} this {and the|and also the|as well as the|along with the|plus the|as well as} {preceding|previous} she’r are {reminiscent of|paying homage to|harking back to} Makhdoom’s “intezar”. {Besides|In addition to|Apart from|Aside from|Moreover|Other than}, {the whole|The entire|The full|The complete} Ghazal is {rich in|full of} its likeness of Makhdoom’s “raat bhar”.|याद शायरी – याद आयी गुल के मुस्कुराने से|मंजिल बदलती है तो राहें भी बदल जाती हैं|मेरे दिए फूलों से तुम अपने जूड़े को संवारों|Akaily Tanha Jiya Na Jay Tery Bin 

Aaj kal bahot ek mudda chal rha h Desh bhakti kuch {logo|emblem|brand|symbol} ne usse Hinduo se jod dia kuch ne mushlmaano se kuch ne sikkho se kuch ne ishayeo se, ek baat yaad rakhna hum pehchaan hai Ek aisa mahavidyalaya ek aisa {university|College} (its like an {university|College} ,its {like a|just like a|similar to a} {college|school|university|higher education|faculty|college or university} the {country|nation|region|place|state} is like {college|school|university|higher education|faculty|college or university}, we {may have|might have|could have|could possibly have|can have} {different|various|distinct|diverse|unique|distinctive} wings, we {may have|might have|could have|could possibly have|can have} {different|various|distinct|diverse|unique|distinctive} {subjects|topics} but {we all|all of us|most of us|many of us|every one of us} belong to une {college|school|university|higher education|faculty|college or university}/ {university|College} {and that is|and that's} Bharat |||Makhdoom {is not|isn't|just isn't|is just not|will not be|is not really} named Akaily Tanha Jiya Na Jay Tery Bin 

 {directly|straight|immediately|right|specifically|instantly} {in the|within the|inside the|while in the|from the|during the} Ghazal and {there is|There's|There is certainly|There exists|There may be|You can find} the {studied|researched|analyzed|examined} ambiguity … is he forlorn {because of the|due to the|as a result of|due to} beloved or {because of the|due to the|as a result of|due to} {loss of|lack of} his {friend|Buddy|Pal|Good friend|Mate|Close friend}.|{Duration|Length|Period} : 02:26   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 32046    Aapne Yaad Dilaaya To aapne yaad dilaaya to mujhe yaad aaya aapne yaad dilaaya to mujhe yaad aaya ke mere dil pe padha tha koyi ghum ka saaya aapne yaad dilaaya {main|primary|principal|major|key|most important} bhi kya cheez hoon khaaya tha kabhi teer koyi dard ab jaa ke utha chot lage deir huyee tumko humdard jo paaya to mujhe yaad aaya ke mere dil pe padha tha koyi ghum ka saaya aapne yaad dilaaya {main|primary|principal|major|key|most important} zameen par hoon na samjha na parakhna chaaha aasmaan par ye kadam jhoom ke rakhna chaaha aaj jo sar ko jhukaaya to mujhe yaad aaya ke mere dil pe padha tha koyi ghum ka saaya aapne yaad dilaaya maine bhi soch liya saath nibhaane ke liye {door|doorway} tak aaoungi {main|primary|principal|major|key|most important} tumko manaane ke liye dil ne ehsaas dilaaya to mujhe yaad aaya aapne yaad dilaaya to mujhe yaad aaya aapne yaad dilaaya to mujhe yaad aaya Aarti (1962) 03:{49|forty nine} Akaily Tanha Jiya Na Jay Tery Bin 

{Category|Class|Group|Classification}|{Duration|Length|Period} : 03:{20|twenty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 36778    Aapki Yaad Aati Rahi aapki yaad aati rahi raat bhar aapki yaad aati rahi raat bhar chashme nam muskuraati rahi raat bhar aapki yaad aati rahi raat bhar dard ki shamma jalti rahi raat bhar dard ki shamma jalti rahi ghum ki lau thar tharaati rahi raat bhar ghum ki lau thar tharaati rahi raat bhar aapki yaad aati rahi baasuri ki sureeli suhaani sada baasuri ki sureeli suhaani sada yaad ban ban ke aati rahi raat bhar yaad ban ban ke aati rahi raat bhar chashme nam muskuraati rahi yaad ke chaand dil mein utarte rahe yaad ke chaand yaad ke chaand dil mein utarte rahe chandani jagmagaati rahi raat bhar chandani jagmagaati rahi raat bhar aapki yaad aati rahi koi deewana galiyon mein phirta raha koi deewana koi deewana galiyon mein phirta raha koi aawaz aati rahi raat bhar koi aawaz aati rahi raat bhar chashme nam muskuraati rahi raat bhar aapki yaad aati rahi Gaman (1978) 04:{55|fifty five} 13256     {Category|Class|Group|Classification}|भूलकर भी तुम उनकी ओर तिरछी नजर ना मारो…|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|कभी वेटर का काम करता था ये बॉलीवुड अभिनेता, आज जीता...|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}Akaily Tanha Jiya Na Jay Tery Bin 

|ज़ायका बढ़ाने के साथ ही काली मिर्च के हैं कई फायदे…|It {looks like|appears like|seems like} you {were|had been|have been|ended up|were being} misusing this {feature|function|characteristic|attribute|element|aspect} by {going|heading|likely} {too|as well|also|way too|far too|much too} {fast|quick|quickly|rapidly|rapid|speedy}. You’ve been {temporarily|briefly|quickly} blocked from {using|utilizing|making use of|employing|working with|applying} it.|Yaad hai maa mumma's lil {girl|Woman|Lady|Female} ka tattoo maine bnwaya tha tere liye Lekin jab ghar pauchi toh dekhte {hi|Hello} dil baith gya tha mere liye Maa tu sda zinda rahegi dil mai mere Qki Sach keh rahi hu mera wajood {hi|Hello} hai tere liye,|हिंदी शायरी लव यादें तुम से छुट कर भी तुम्हें भूलना आसान न था  Akaily Tanha Jiya Na Jay Tery Bin 

|MeraGana.com is {proud|happy|very pleased} {to be|to become|for being|to get|being|to generally be} {the world|the planet|the entire world|the globe|the earth|the whole world}'s {largest|biggest|greatest|premier|most significant|major} library of Indian Karaoke {music|songs|audio|tunes|new music}, {with a|having a|using a|by using a|that has a|which has a} {choice|option|selection|decision|alternative|preference} of {songs|tunes|tracks|music}. Our {team|group|crew|staff|workforce} of musicians recreate soulful karaoke melodies, {which can|which may|which might|which could|which often can|that may} now be {performed|carried out|done|executed} {using the|utilizing the} {high quality|top quality|premium quality|good quality|superior quality|high-quality} microphones {provided by|supplied by|furnished by} MeraGana.com.  }Akaily Tanha Jiya Na Jay Tery Bin 

{मैं हर मोड़ पर अपनी निशानी छोड़ जाऊंगा|{You're|You are|You happen to be|You might be} {using a|utilizing a|employing a} browser {that isn't|that may not|that won't} supported by {Facebook|Fb}, so {we've|we have} redirected {you to|you to definitely} {a simpler|a less complicated|an easier} {version|Edition|Model|Variation} to {give you the|provide you with the|supply you with the|provde the} {best|very best|greatest|ideal|finest|most effective} {experience|encounter|expertise|knowledge|practical experience|working experience}.|kisi ne kaha mai unn gaddaro ka naam lena v pasand nahi karunga,bcz wo itna v {deserve|should have|are worthy of|ought to have|are entitled to|have earned} nahi karte ki unka naam is juban par aaye but ek cheej bolna bahot jaruri hai ''ki Bhartiya senaa ****** hai"|{Duration|Length|Period} : 05:{49|forty nine}   {Song|Tune|Track|Music}Akaily Tanha Jiya Na Jay Tery Bin 

 {Number|Quantity|Amount|Variety|Range|Selection} : 36459    Aaja Piya Tohe Pyaar Doon aaja piya tohe pyaar doon gori bainyan tope vaar doon kis liye tu itna udaas sukhe sukhe honth akhiyon mein pyaas kis liye kis liye ho ho aaja piya tohe pyaar doon ho gori bainyan tope vaar doon kis liye tu itna udaas ho sukhe sukhe honth akhiyon mein pyaas kis liye kis liye ho ho aaja piya tohe pyaar doon ho gori bainyan tope vaar doon jal chuke hain badan kayi piya issi raat mein thake hue in hathon ko de de mere haath mein sukh mera le le {main|primary|principal|major|key|most important} dukh tere le loon sukh mera le le {main|primary|principal|major|key|most important} dukh tere le loon {main|primary|principal|major|key|most important} bhi jiyun tu bhi jiye ho ho aaja piya tohe pyaar doon ho gori bainyan tope vaar doon hone de re jo ye julmi hain {path|route} tere gaon ke palkon se chun daloongi {main|primary|principal|major|key|most important} kaante tere paon ke lat bikharaaye chunariya bichaaye lat bikharaaye chunariya bichaaye baithi hoon {main|primary|principal|major|key|most important} tere liye ho ho aaja piya tohe pyaar doon ho gori bainyan tope vaar doon kis liye tu itna udaas ho sukhe sukhe honth akhiyon mein pyaas kis liye kis liye ho ho aaja piya tohe pyaar doon ho gori bainyan Baharon Ke Sapne (1967) 04:28 20124     {Category|Class|Group|Classification}|इस शे’र का मिज़ाज ग़ज़ल के पारंपरिक स्वभाव के समान है। चूँकि फ़ैज़ ने प्रगतिशील विचारों के प्रतिनिधित्व में भी उर्दू छंदशास्त्र की परंपरा का पूरा ध्यान रखा इसलिए उनकी रचनाओं में प्रतीकात्मक स्तर पर प्रगतिवादी सोच दिखाई देती है इसलिए उनकी शे’री दुनिया में और भी संभावनाएं मौजूद हैं। जिसका सबसे बड़ा उदाहरण ये मशहूर शे’र है। बाद-ए-नौ-बहार के मायने नई बहार की हवा है। पहले इस शे’र की व्याख्या प्रगतिशील विचार को ध्यान मे रखते हुए करते हैं। फ़ैज़ की शिकायत ये रही है कि क्रांति होने के बावजूद शोषण की चक्की में पिसने वालों की क़िस्मत नहीं बदलती। इस शे’र में अगर बाद-ए-नौबहार को क्रांति का प्रतीक मान लिया जाये तो शे’र का अर्थ ये बनता है कि गुलशन (देश, समय आदि) का कारोबार तब तक नहीं चल सकता जब तक कि क्रांति अपने सही मायने में नहीं आती। इसीलिए वो क्रांति या परिवर्तन को सम्बोधित करते हुए कहते हैं कि जब तुम प्रगट हो जाओगे तब फूलों में नई बहार की हवा ताज़गी लाएगी। और इस तरह से चमन का कारोबार चलेगा। दूसरे शब्दों में वो अपने महबूब से कहते हैं कि तुम अब आ भी जाओ ताकि गुलों में नई बहार की हवा रंग भरे और चमन खिल उठे।|उन्हीं के इश्क़ में हम दर्द की फरियाद करते हैं|{There are many|There are lots of|There are numerous|There are various|There are several|There are plenty of} knocks {at the|in the|on the|with the|for the|within the} {door|doorway}, {many|numerous|several|a lot of|quite a few|lots of} {visitors|guests|site visitors|website visitors|people|readers} {except|besides|other than|apart from} the {one that|one which} Faiz is {waiting for|awaiting|looking forward to|expecting|watching for|looking ahead to}. {There is|There's|There is certainly|There exists|There may be|You can find} {such|this kind of|this sort of|these kinds of|these|these types of} {intense|extreme|intensive|powerful|rigorous} longing {for the|for your|to the|for that|with the} {one|1|a single|one particular|just one|a person} who {does not|doesn't|will not|isn't going to|won't|would not} {come|arrive|appear|occur}, {that the|the|which the} knocker {itself|by itself|alone} {is calling|is asking|is looking} out for him with {every|each|each and every|every single|just about every|each individual} knock.|{Duration|Length|Period} : 04:31   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 14030    Aane Wala Pal hmmmm mmmm aa haa haa hey hey hey hmmmm hmmmm hmmm hmmm aane wala pal jaane wala hai aane wala pal jaane wala hai ho sake to iss mein zindagi bita do pal jo ye jaane wala hai hooo hooo aane wala pal jaane wala hai ho sake to iss mein zindagi bita do pal jo ye jaane wala hai hooo hooo ek baar yun mili masoom si kali ek baar yun mili masoom si kali hoo khilte huye kaha khush baash {main|primary|principal|major|key|most important} chali dekha to yahin hai dhundha to nahin hai pal jo ye jaane wala hai hooo hooo aane wala pal jaane wala hai ho sake to iss mein zindagi bita do pal jo ye jaane wala hai ek baar waqt se lamha gira kahin ek baar waqt se lamha gira kahin wahaan dastaan mili lamha kahin nahin thoda sa hasaa ke thoda sa rulaa ke pal ye bhi jaane wala hai hooo hooo aane wala pal jaane wala hai ho sake to iss mein zindagi bita do pal jo ye jaane wala hai hooo hooo aane wala pal jaane wala hai aane wala pal jaane wala hai Golmaal (1979) 04:39 20055     {Category|Class|Group|Classification}|{Duration|Length|Period} : 06:{54|fifty four}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20067    Aap Yahaan Se Jaane Ka aaji maine kaha aap yahaan se jaane ka kya loge kaun {main|primary|principal|major|key|most important} haan ji aap yahaan se jaane ka kya loge kya loge kya doge kya kya doge jo {main|primary|principal|major|key|most important} maangu wo tum doge kyon nahin din ko taare tod ke laadoon jannat ki kaliyaan mangwadoon aur kuchh bolo sanam dhandhe ki kasam haan haan dhandhe ki kasam mere dhandhe ki kasam magar aap yahaan se jaane ka kya loge kya kya loge un hoon kuchh to socho hoon kuchh to samjho wo ho kuchh to socho kuchh to samjho rehne do bekar ki baaten bekar ki baaten hann haan {sun|Sunlight|Sunshine|Solar} lega bedard zamaana dil mein rakkho pyar ki baaten pyar ki chori chhup nahin sakti sakti hai ho behti nadiyan ruk nahin sakti ruk sakti hai pyar ki chori chhup nahin sakti behti nadiyan ruk nahin sakti kab se mere gale padi ho kab se mere gale padi ho ban ke ik deewar khadi ho jaaungi mein na sanam mere dhandhe ki kasam haan haan dhandhe ki kasam tere dhandhe ki kasam haai aap yahaan se jaane ka kya loge kya kya loge nahin jaaungi suno kya suno na bolo na hoon hoon hoon hoon Banarsi Babu (1973) 04:01 18111     {Category|Class|Group|Classification}|unhe sirf do pal ki muskurahat naseeb hoti hai aur phir umar bhar ki tanhai ek aisi tanhai jaha hum bhari mehfil mein bhi akele ** jaate hai aur adhura pan bhi hamein pura lagne lagta hai|“chashm e nam muskuraana” – teary eye smiling is {a beautiful|an attractive|a gorgeous|a lovely|a good looking|a wonderful} juxtaposition of {pain|discomfort|ache|soreness|suffering|agony} and {pleasure|enjoyment|satisfaction}, {a long|an extended|a protracted|a lengthy} {established|set up|proven|recognized|founded} {tradition|custom} in Urdu poetry {where|exactly where|in which|the place|wherever|where by} {many times|often times|repeatedly|over and over|again and again|persistently} {pain|discomfort|ache|soreness|suffering|agony} {is to|would be to|is always to|is usually to|will be to|should be to} be treasured. Your {memories|Recollections|Reminiscences} emerged all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. Tearful eyes recalling loving {moments|times}, smiled all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}.|तेरे बिना मैं तड़पती हूँ जैसे पानी बिन मछली|औए हस्ते-हस्ते आँखें फिर नाम हो जायेगी|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|wo jo chhup jate the kabon mein sanam-KHanon mein un ko la la ke biThaya gaya diwanon mein fasl-e-gul hoti thi kya jashn-e-junun hota tha aaj kuchh bhi nahin hota hai gulistanon mein aaj to talKHi-e-dauran bhi bahut halki hai ghol do hijr ki raaton ko bhi paimanon mein aaj tak tanz-e-mohabbat ka asar baqi hai qahqahe gunjte phirte hain bayabanon mein wasl hai un ki ada hijr hai un ka andaz kaun sa rang bharun ishq ke afsanon mein shahr mein dhum hai ek shoala-nawa ki ‘maKHdum’ tazkire rasto|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|par ab aisa kya hua jivan ki iss Dagar me kahan bhatak gaya in jhuthe rit riwazo me Kaise jivan ke Arth badalte gaye Kyo ek {funny|humorous|amusing} poem likhne wale|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}}

{{You can|You are able to|You'll be able to|It is possible to|You may|You could} {email|e-mail|e mail|electronic mail} {the site|the website|the positioning|the location|the internet site} {owner|proprietor|operator} to {let them|allow them to} know you {were|had been|have been|ended up|were being} blocked. {Please|Make sure you|Remember to|You should|Be sure to} {include|consist of|contain|incorporate|include things like|involve} {what you|Everything you|Whatever you|That which you|Anything you} {were|had been|have been|ended up|were being} {doing|performing|carrying out|undertaking|executing|accomplishing} when this {page|web page|webpage|website page|site|web site} {came|arrived} up {and the|and also the|as well as the|along with the|plus the|as well as} Cloudflare Ray ID {found|discovered|identified|located|observed|uncovered} at {the bottom|The underside} {of this|of the} {page|web page|webpage|website page|site|web site}.|Hai qabool ab sab tera,zindagi mai bas shamil hoga Rahai naa sansay mujmai sahee,Laikin judaa naa Rumi say tu hogee|Our minds and bodies are rhythmic, {just like the|much like the} rhythms of our {heart|coronary heart} {beat|defeat|conquer}, so sing {along|alongside|together} to MeraGana.com {either|both|possibly} by {yourself|your self|oneself|by yourself|on your own|you} or with {friends and family|family and friends|relatives and buddies} {for a|to get a|for any|for the|for your|for just a} {sure|certain|positive|confident|absolutely sure|guaranteed}-shot {sense|feeling|perception} of {happiness|joy|pleasure|contentment}, elevation and positivity.  |{There are many|There are lots of|There are numerous|There are various|There are several|There are plenty of} knocks {at the|in the|on the|with the|for the|within the} {door|doorway}, {many|numerous|several|a lot of|quite a few|lots of} {visitors|guests|site visitors|website visitors|people|readers} {except|besides|other than|apart from} the {one that|one which} Faiz is {waiting for|awaiting|looking forward to|expecting|watching for|looking ahead to}. {There is|There's|There is certainly|There exists|There may be|You can find} {such|this kind of|this sort of|these kinds of|these|these types of} {intense|extreme|intensive|powerful|rigorous} longing {for the|for your|to the|for that|with the} {one|1|a single|one particular|just one|a person} who {does not|doesn't|will not|isn't going to|won't|would not} {come|arrive|appear|occur}, {that the|the|which the} knocker {itself|by itself|alone} {is calling|is asking|is looking} out for him with {every|each|each and every|every single|just about every|each individual} knock.|{Duration|Length|Period} : 04:27   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 14374    Aapne Kya Kaha Maine Kya {Sun|Sunlight|Sunshine|Solar} Liya dil ki haalat na puchhiye aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya haan aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya dil ki haalat na puchhiye aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya haan aapne kya kahaa ek baar wo fasaana wo fasaana phir sunaiye koi hasin bahana haan bahana phir banayiye samjha hai kya dil kahna hai mushkil samjha hai kya dil ye hakikat na haan puchhiye aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya haan aapne kya kahaa phir do dilon mein waade hanji waade aaj ho gaye kuchh aur {hi|Hello} iraade haan iraade aaj ho gaye dil muskuraye kisne jataye dil muskuraye meri kismat na haan puchhiye aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya dil ki haalat na na puchhiye aapne kya kaha maine kya {sun|Sunlight|Sunshine|Solar} liya Aaya Toofan (1964) 03:{18|eighteen} 38544     {Category|Class|Group|Classification}|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|दोस्तों की यादें शायरी दो लाइन वक़्त गुज़रता गया सांसे थमी सी रही|Sham’a is {bright|vibrant|brilliant|vivid|shiny|dazzling} ({happiness|joy|pleasure|contentment}) {and is|and it is|and is also|which is|and is particularly} juxtaposed {here|right here|listed here|below|in this article} with Gham ({pain|discomfort|ache|soreness|suffering|agony}) – and its flickering is suggestive of alternating {pain|discomfort|ache|soreness|suffering|agony} and anticipation. {This is a|This can be a|It is a|That is a|This is the} {direct|immediate} parallel to “dard ki sham’a” and “Gham ki lau”, {used by|utilized by|employed by} Makhdoom in {the second|the next|the 2nd} she’r of his ghazal, “raat bhar”.|Aap mujhshe sab kuch cheen sakte **, mera tan mera lahu par meri pahchaan mujhse Bhartiya hone ki nahi cheen sakte aur wahi meri {identity|identification|id} hai, mai bhartiya hu mujhe iss par bahot garv hai or iss se uper koi garv mujhe chahie v nahi |||तेरी यादें तेरी बातें बहुत मशरूफ रखती है|{Duration|Length|Period} : 05:24   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 32340    Aapka Shukriya Aapki Meherbaani aapka shukriyaa aapki meherbaani aapki meherbaani aap aaye na aate to dil toot jaate aap aaye na aate to dil toot jaate rooth jaati ye shaam suhaani aapka shukriyaa aapki meherbaani aap jis raah chal phir rahe hain phool uss raah pe gir rahe hain aap jis raah chal phir rahe hain phool uss raah pe gir rahe hain kya suhaana sama hai ye mausam jawaan hai aaj har cheez pe hai jawaani aapka shukriyaa aapki meherbaani aap bin chaar pal bhi humaara ab nahin hai jahaan mein guzaara aap bin chaar pal bhi humaara ab nahin hai jahaan mein guzaara aapki yaad aaye to dil behel jaaye dijiye aisi koi nishaani aapka shukriyaa aapki meherbaani pyaar humne humesha kiya hai har janam mein tumhe dil diya hai pyaar humne humesha kiya hai har janam mein tumhe dil diya hai yaad rakhna ye baatein nayi hain mulakaatein ye mohabbat magar hai puraani aapka shukriyaa aapki meherbaani aap aaye na aate to dil toot jaate rooth jaati ye shaam suhaani aapka shukriyaa aapki mehrbaani Anokhi Pehchan (1972) 04:{30|thirty} 36965     {Category|Class|Group|Classification}|{Duration|Length|Period} : 04:{55|fifty five}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 13256    Aapne Apna Banaya aapne apna banaya meherbani aapki meherbani aapki hum to is kaabil na the hum to is kaabil na the hum to is kaabil na the hai kaddrdaani aapki meherbani apki aapne apna banaya aaj humne dil ke badle aapko dil de diya aaj humne dil ke badle aapko dil de diya is inayat is nawazish is karam ka shukriya humne bhi dil mein chhupa li ye nishani aapki meherbani aapki aapne apna banaya aap mil jayen to phir duniya mein koi ghum nahin aap mil jayen to phir duniya mein koi ghum nahin kyu na mil jaye ke purab aur pachchhim hum nahin ban gaya mera fasaana ab kahani aapki meherbani apki hum to is kaabil na the hai kaddrdaani aapki meherbani aapki aapne apna banaya Dulhan Ek Raat Ki (1966) 03:36 32084     {Category|Class|Group|Classification}|gulon mein rang bhare baad-e-nau-bahaar chale chale bhi aao ki gulshan ka karobar chale qafas udas hai yaro saba se kuchh to kaho kahin to bahr-e-KHuda aaj zikr-e-yar chale kabhi to subh tere kunj-e-lab se ho aaghaz kabhi to shab sar-e-kakul se mushk-bar chale baDa hai dard ka rishta ye dil gharib sahi tumhaare nam pe aaenge gham-gusar chale jo hum pe guzri so guzri magar shab-e-hijran hamare ashk teri aaqibat sanwar chale huzur-e-yar hui daftar-e-junun ki talab girah mein le ke gareban ka|Have we {forgotten|overlooked|neglected} {how it|the way it} is {to wait|to attend} {for someone|for somebody} {to show|to indicate|to point out} up? {Do you|Would you|Does one} {remember|keep in mind|bear in mind|don't forget|recall|try to remember} {how it|the way it} {is to|would be to|is always to|is usually to|will be to|should be to} {hit|strike} {send|deliver|ship|send out|mail} and {check|Verify|Examine|Check out|Test|Look at} your inbox, {every|each|each and every|every single|just about every|each individual} {six|6} seconds, and {feel|really feel|truly feel|come to feel|sense|experience} despondent {each time|every time}, {with no|without any|without|without having} new mail but {more|much more|a lot more|far more|additional|extra} spam?|{Duration|Length|Period} : 03:22   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 13506    Ramayyaa Vastavayya ho oo ho oo oo oo ramayyaa vastavayya ramayyaa vastavayya ramayyaa vastavayya ramayyaa vastavayya maine dil tujh ko diyaa maine dil tujh ko diyaa ramayyaa vastavayya ramayyaa vastavayya ramayyaa vastavayya ramayyaa vastavayya maine dil tujh ko diyaa maine dil tujh ko diyaa ramayyaa vastavayya ramayyaa vastavayya nainon mein thi pyaar ki roshni teri aankhon mein ye duniyaadaari na thi teri aankhon mein ye duniyaadaari na thi tu aur tha tera dil aur tha tere mann mein ye meethhi kataari na thi tere mann mein ye meethhi kataari na thi {main|primary|principal|major|key|most important} jo dukh paaoon to kyaa aaj pachhtaaon to kyaa {main|primary|principal|major|key|most important} jo dukh paaoon to kyaa aaj pachhtaaon to kyaa maine dil tujh ko diyaa maine dil tujh ko diyaa o ramayyaa vastavayya ramayyaa vastavayya uss des mein tere pardes mein sone chaandi ke badle mein bikte hain dil sone chaandi ke badle mein bikte hain dil iss gaanw mein dard ki chhaanw mein pyaar ke naam par {hi|Hello} dhadkte hain dil pyaar ke naam par {hi|Hello} dhadkte hain dil chaand taaron ke talle Shree 420 (1955) 06:19 21153     {Category|Class|Group|Classification}|कुछ पुरानी यादें शायरी के ज़रिये आप तक पहुँचा रहा हूँ, ये आपकी ही यादें हैं, आपके साथ।|मगर सच है कि तुमको भूल जाना मुमकिन ही नहीं है|उम्र के साथ साथ निगाहें भी बदल जाती हैं…|हर रात मेहबूबा अपने बिस्तर पर सोती है…}

{मिटाओगे कहाँ तक तुम मेरी यादें मेरी बातें|रिश्तें निभाने वाले मुकाबला नहीं करते|All {rights|legal rights} {of the|from the|in the|on the|with the|of your} publication are reserved by UrduPoint.com. {Reproduction|Copy|Replica} {without|with out|without having|with no|devoid of|without the need of} {proper|correct|appropriate|suitable|right|good} consent {is not|isn't|just isn't|is just not|will not be|is not really} {allowed|permitted|authorized}.|{Duration|Length|Period} : 05:{44|forty four}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 13917    Aaja Aaja {Main|Primary|Principal|Major|Key|Most important} Hoon Pyaar Tera aaja aaja {main|primary|principal|major|key|most important} hoon pyaar tera allah allah inkaar tera o o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa aaja aaja {main|primary|principal|major|key|most important} hoon pyaar tera allah allah inkaar tera o o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa hoooo tum pe hazaron ki aankhen chaahiye tumko sahara ooooooo palkon mein aao chhupa loon naazuk tan hai tumhara o o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa aaja aaja {main|primary|principal|major|key|most important} hoon pyaar tera allah allah inkaar tera o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa hoooo mera khayaal tujhe hai maine abhi yahi jaana oooooooo sachcha hai pyaar ke jhoota ye hai mujhe aazmaana o o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa aaja aaja dekhoon pyaar tera allah allah inkaar tera o o aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aaja aa aa aa hoooo rakhna tha dil pe hamaare Teesri Manzil (1966) 06:38 20035     {Category|Class|Group|Classification}|ज्ञान का पिटारा, खाने का खजाना, मनोरंजन का तड़का, खबरों का संसार, शायर की शायरी और घुमक्कड़ों की दुनिया इन्ही सब का मिला जुला मंच है झकास।|ये जब से बरस रहे हैं मुझे तुम याद आ रहे हो|अब तक मेरी यादों में तेरी तस्वीर बसी है|किसने कहा था तुम्हे हद से गुजरने के लिए…|Shashank K Dwivedi Dec 2017 Abhi-Abhi ek geet racha hai tumko jeetey jeetey abhi- abhi ek geet racha hai tumko jeetey jeetey|{Duration|Length|Period} : 04:{55|fifty five}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 13256    Are Ja Re Hat Natkhat dhaagin natin nak dhin dhaagin natin nak dhin atak atak jhatpat panghat par chatak matak ik naar naveli gori gori gwaalan ki chhori chali chori chori mukh mori mori muskaaye albeli kankari gale mein maari kankari kanhaiya ne pakri baanh aur ki atkheli bhari pichkaari maari sa ra ra ra ra ra ra ra ra ra ra ra ra ra ra ra bholi panihaari boli ara ra ra ra ra ra ra ra ra ra ra ra ra ra ra ra are ja re hat natkhat na chhoo re mera ghoonghat palat ke doongi aaj tujhe gaali re are ja re hat natkhat na chhoo re mera ghoonghat palat ke doongi aaj tujhe gaali re mujhe samjho na tum bholi bhaali re sa ra ra ra ra ra ra ra ra ra ra ra ra ra ra ra ra aaya holi ka tyohaar ude rang ki bauchhar tu hai naar nakhredaar matwaali re aaj meethi lage hai teri gaali re ooooo haan haan haan aaaaaa hooo ooo oooo tak tak na maar pichkaari ki dhaar hooo ooo oooo tak tak na maar pichkaari ki dhaar komal badan seh sake na ye maar tu hai anaadi bada {hi|Hello} ganwaar kajre mein tune abeer diya daar Navrang (1959) 07:{40|forty} 13847     {Category|Class|Group|Classification}|Gham ki lau thartharati rahi raat bharAll {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive} the lamp of {pain|discomfort|ache|soreness|suffering|agony} remained lit. The flame of sorrow flickered all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. “dard ki sham’a jalti rahi raat bhar” … {there is|There's|There is certainly|There exists|There may be|You can find} an implied {statement|assertion} {that the|the|which the} lamp was {intentionally|deliberately} {kept|stored|held|retained|saved} {going|heading|likely} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}, that {pain|discomfort|ache|soreness|suffering|agony} was treasured and sustained, {that the|the|which the} {pain|discomfort|ache|soreness|suffering|agony} of remembering the beloved is nurtured. {Note|Be aware|Notice|Observe|Take note} the parallelism that Faiz {uses|utilizes|makes use of|employs|works by using|takes advantage of} with “sham’a Gham”.|Some mad lover wandered {through the|with the|throughout the|from the|in the} streets all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. His moans echoed all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. {Compare|Evaluate|Examine|Assess|Review|Look at} this Faiz’s she’r.|मैं जहाँ भी जाता हूँ वही रास्ता दुश्वार है…|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|hazaron KHwahishen aisi ki har KHwahish pe dam nikle bahut nikle mere arman lekin phir bhi kam nikle Dare kyun mera qatil kya rahega us ki gardan par wo KHun jo chashm-e-tar se umr bhar yun dam-ba-dam nikle nikalna KHuld se aadam ka sunte aae hain lekin bahut be-abru ho kar tere kuche se hum nikle bharam khul jae zalim tere qamat ki daraazi ka agar is turra-e-pur-pech-o-KHam ka pech-o-KHam nikle magar likhwae koi us ko KHat to hum se likhwae hui subh aur ghar se kan par rakh kar qalam nikle|{Duration|Length|Period} : 08:{40|forty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18222    Aa Mere Saathi Aa aa mere saathi aa dil ki baat sunta ja raahon mein bichhaun taare aahaha aa mere saathi aa dil ki baat sunta ja raahon mein bichhaun taare huuu ruru ru ru ruru ru ru ru ru ru ru ru wahan teri duniya jahaan {main|primary|principal|major|key|most important} hoon magar tu na jane kahaan {main|primary|principal|major|key|most important} hoon wahan teri duniya jahaan {main|primary|principal|major|key|most important} hoon magar tu na jane kahaan {main|primary|principal|major|key|most important} hoon ujaalon mein khoye huye o sanam yahan {main|primary|principal|major|key|most important} hoon mere humdam yahan {main|primary|principal|major|key|most important} hoon aahhhhaaa aa mere saathi aa dil ki baat sunta ja raahon mein bichhaun taare idhar bhi zara bekhabar dekh le jo dhundhe tujhe wo nazar dekh le idhar bhi zara bekhabar dekh le jo dhundhe tujhe wo nazar dekh le pukarun {main|primary|principal|major|key|most important} kab se tujhe o sanam kidhar tu hai mera humdam idhar {main|primary|principal|major|key|most important} hoon aahha aa mere saathi aa dil ki baat sunta ja raahon mein bichhaun taare zamin se pare is jahaan se pare mere saath chal aasmaan se pare zamin se pare is jahaan se pare mere saath chal aasmaan se pare khayalon mein doobe huye o sanam jawaan tu hai mere humdam jawaan {main|primary|principal|major|key|most important} hoon aahha aa mere saathi aa Chhalia (1973) 05:{58|fifty eight} 36867     {Category|Class|Group|Classification}|{Click here|Simply click here|Just click here|Click this link|Click the link} for {overall|General|All round|Total|Over-all|In general} {comments|feedback|remarks|responses|reviews|opinions} and on any passage for meanings and {discussion|dialogue}. Faiz wrote this in {the same|exactly the same|the identical|precisely the same|the exact same|a similar} bahr ({pattern|sample}) {as the|because the|since the|as being the|given that the} Ghazal of Makhdoom. {It is|It's|It really is|It truly is|It can be|It is actually} {reported|noted|documented|described|claimed} that Faiz was in Moscow when he {received|obtained|acquired|gained|been given} {news|information} {of the|from the|in the|on the|with the|of your} {death|Loss of life|Demise|Dying} of Makhdoom and he wrote this {immediately|instantly|right away|quickly|promptly|straight away} {as a|as being a|like a|being a|for a|to be a} tribute.|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|{Duration|Length|Period} : 03:{41|forty one}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 38210    Aapne Jeevan Ki Uljhan Ko ({Female|Feminine|Woman}) apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun beech bhanwar mein naav hai meri kaise paar lagaaun dil mein aisa dard chhupa hai dil mein aisa dard chhupa hai mujhse saha naa jaaye mujhse saha naa jaaye kehna to chahun apnon se {main|primary|principal|major|key|most important} phir bhi kaha naa jaaye phir bhi kaha naa jaaye aansoo bhi aankhon mein aaye aansoo bhi aankhon mein aaye chupke se pee jaaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun beech bhanwar mein naav hai meri kaise paar lagaaun jeevan ke pinjare mein mann ka ye panchhi jeevan ke pinjare mein mann ka ye panchhi kaise pair se chhoote kaise pair se chhoote jeena hoga iss duniyan mein jab tak saans naa toote jab tak saans naa toote damm ghutta hai ab saanson ka damm ghutta hai ab saanson ka kaise bojh uthaaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun beech bhanwar mein naav hai meri kaise paar lagaaun apne jeevan ki uljhan ko Uljhan (1975) 04:23 14375     {Category|Class|Group|Classification}}

{koi aavaz aati rahi raat bharSome mad lover wandered {through the|with the|throughout the|from the|in the} streets all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. His moans echoed all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}.|Kai dinon ke {bad|poor|negative|undesirable|terrible|lousy} aj ek bar fir azad hone ka {man|guy|gentleman|male|person} kiya hai Tod do in bediyon ko, kyunki aj ek lambi udaan bharne ka iraada hai|{Duration|Length|Period} : 03:23   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 14287    Gori Gori Gaon Ki gori gori gaon ki gori re kis liye bun rahi dori re o piya dori se baandh le gori re bhaage jo kari ke tu chori re hey jeeya gori gori gaon ki gori re kachche hain tere ye resham ke dhaage toot jaayen jo koi tod ke bhaage jab se saiyaan tose neha laage peechhe peechhe {main|primary|principal|major|key|most important} hoon tu aage aage kinche chale aaoge jaaoge jahaan jaa ke dekho to bar jori re oooo piyaa gori gori gaon ki gori re {main|primary|principal|major|key|most important} to udd jaaunga ek panchhi jaise mujhe tu bandi bana legi kaise tujhe {main|primary|principal|major|key|most important} bandi bana loongi kaise saiyaan baiyaan mein baiyaan daal ke aise tore honthon se lag jaaungi {main|primary|principal|major|key|most important} ban ke baansuriyaa tori re oooo piyaa gori gori gaon ki gori re {main|primary|principal|major|key|most important} hoon pardesi {main|primary|principal|major|key|most important} hoon pardesi {sun|Sunlight|Sunshine|Solar} le phir naa kehna chala jaana hai yahaan nahin rehna tera rasta dekhenge mere naina yunhi din bitega bitegi raina chaahe chhup jaa tu ghataaon mein chanda dhundh {hi|Hello} legi ye chakori re oooo piyaa hooo gori gori gori gaon ki gori re kis liye bun rahi dori re o piya dori se baandh le gori re bhaage jo kari ke Ye Gulistan Hamara (1972) 04:{10|ten} 14424     {Category|Class|Group|Classification}|MeraGana.com is {proud|happy|very pleased} {to be|to become|for being|to get|being|to generally be} {the world|the planet|the entire world|the globe|the earth|the whole world}'s {largest|biggest|greatest|premier|most significant|major} library of Indian Karaoke {music|songs|audio|tunes|new music}, {with a|having a|using a|by using a|that has a|which has a} {choice|option|selection|decision|alternative|preference} of 14708 {songs|tunes|tracks|music}. Our {team|group|crew|staff|workforce} of musicians recreate soulful karaoke melodies, {which can|which may|which might|which could|which often can|that may} now be {performed|carried out|done|executed} {using the|utilizing the} {high quality|top quality|premium quality|good quality|superior quality|high-quality} microphones {provided by|supplied by|furnished by} MeraGana.com.  |मेरी जिंदगी के लिए मौत का कोई बहाना नहीं है…|{Duration|Length|Period} : 03:{10|ten}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18143    Nazar Laagi Raaja aaaaa aaaaa aaaaaa aaaaa aaaaa aaaaaa nazar laagi raaja tore bangle par nazar laagi raaja tore bangle par nazar laagi raaja tore bangle par jo {main|primary|principal|major|key|most important} hoti raaja ban ki koyaliyaa jo {main|primary|principal|major|key|most important} hoti raaja ban ki koyaliyaa kuhuk rehti raaja tore bangle par kuhuk rehti raaja tore bangle par nazar laagi raaja tore bangle par jo {main|primary|principal|major|key|most important} hoti raaja kaari badariyaa jo {main|primary|principal|major|key|most important} hoti raaja kaari badariyaa jo {main|primary|principal|major|key|most important} hoti raaja kaari badariyaa baras rehti raaja tore bangle par baras rehti raaja tore bangle par nazar laagi raaja tore bangle par jo {main|primary|principal|major|key|most important} hoti raaja bela chameliyaa jo {main|primary|principal|major|key|most important} hoti raaja bela chameliyaa jo {main|primary|principal|major|key|most important} hoti raaja bela chameliyaa lipat rehti raaja tore bangle par lipat rehti raaja tore bangle par nazar laagi raaja tore bangle par jo {main|primary|principal|major|key|most important} hoti raaja tumhri dulhaniyaa jo {main|primary|principal|major|key|most important} hoti raaja tumhri dulhaniyaa jo {main|primary|principal|major|key|most important} hoti raaja tumhri dulhaniyaa matak rehti raaja tore bangle par matak rehti raaja tore bangle par nazar laagi raaja tore bangle par Kala Pani (1958) 03:22 13506     {Category|Class|Group|Classification}|Now {after|following|right after|soon after|immediately after|just after} {putting|Placing} up {with this|with this particular|using this|using this type of} injustice of memory, {over time|as time passes|with time|after a while|after some time|eventually} I’ve {forgotten|overlooked|neglected} to {wait for|watch for|await|anticipate|look forward to|look ahead to} the hope {of a|of the} justice of sorrow, from myself.|Kuki yha ka akelapan mj bht satata h Bht jhoota h ye jha Aasan ni rhna yha Hr Mod pe ek nayi chunauti aa jati h|Ttrue yaad shayari in hindi यादें दो दिलों के फैसले को काम करती है|मिस यू शायरी – याद में खुद को क्यों बर्बाद करूँ|{Duration|Length|Period} : 03:36   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 32084    Aapne Huzoor Mujhe aapne huzoor mujhe aapne huzoor mujhe kya se kya bana diya kya se kya bana diya aap se aana aap se jaana aasmaan pe baitha diya aasmaan pe baitha diya meherbaani meherbaani meherbaani meherbaani meri tere dum se teri mere dhum se hai ye zindgaani zindgaani zindgaani meherbaani meherbaani meri tere dum se teri mere dhum se hai ye zindgaani zindgaani zindgaani meherbaani meherbaani chaand ki nazar na lage aaa aa nazar utaar doon chaand ki nazar na lage aaa aa nazar utaar doon saans saans mein mila ke aaa zindaagi sanwaar doon saans saans mein mila ke aaa zindaagi sanwaar doon le liya hai aapka dil de diya hai apna bemisaal bemisaal bemisaal meherbaani meherbaani meherbaani meherbaani oo meri tere dum se teri mere dhum se hai ye zindgaani zindgaani zindgaani meherbaani meherbaani baat kehte kehte tum jo hans diye phool muskura diye baat kehte kehte tum jo hans diye phool muskura diye taare jugnu banke dekhne humein aasma se aa gaye taare jugnu banke dekhne humein Fariyad (1964) 03:{41|forty one} 38210     {Category|Class|Group|Classification}|aah ko chahiye ek umr asar hote tak kaun jita hai teri zulf ke sar hote tak dam-e-har-mauj mein hai halqa-e-{sad|unhappy|unfortunate}-kaam-e-nahang dekhen kya guzre hai qatre pe guhar hote tak aashiqi sabr-talab aur tamanna betab dil ka kya rang karun khun-e-jigar hote tak ta-qayamat shab-e-furqat mein guzar jaegi umr sat din hum pe bhi bhaari hain sahar hote tak hum ne mana ki taghaful na karoge lekin KHak ho jaenge hum tum ko KHabar hote tak partaw-e-KHur se hai shabnam ko fana ki talim {main|primary|principal|major|key|most important} bhi hun ek inayat|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|I {Miss|Skip|Overlook|Miss out on|Pass up} you jaan shayari आज इक और बरस बीत गया उस के बग़ैर|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|Magar dharti se ambar tak yugo se log kahte hai Agar saccha hai kuch jag me to Maa ka pyar saccha hai |||. jo sach bolta hai or dil se bolta haai usko gussa bahot aata hai or ye gussa iss bat ka hai ki iss desh me kutto ko maarne ki {permission|authorization} nahi hai isliye abhi tak bache hue ** "{Ask|Inquire|Request|Question|Check with|Talk to} ur sister {ask|inquire|request|question|check with|talk to} ur {family members|members of the family|loved ones|relations|close relatives|relatives} ,if {there are|you will find|you'll find|you can find|you will discover|there are actually} {10|ten} {young|younger|youthful} boys & {if there is|when there is} {a single|just one|an individual|one|only one} soldier ,{ask|inquire|request|question|check with|talk to} a {young|younger|youthful} {girl|Woman|Lady|Female} {where|exactly where|in which|the place|wherever|where by} would you {go for|Choose|Select|Opt for} {the help|the assistance} and whom would she {ask for|request} {the help|the assistance} & i insure this that {girl|Woman|Lady|Female} would {go to a|visit a} soldier and {ask|inquire|request|question|check with|talk to} and {she will|she'll|she's going to|she is going to} say {one thing|something|another thing} {suddenly|all of a sudden|abruptly|out of the blue|quickly|instantly} {she will|she'll|she's going to|she is going to} use this {word|phrase|term} Bhaiya meri {help|assist|aid|support|enable|assistance} kijie" kya hai ye jawani sambhal nahi rahi hai to batao 23 saal me Saheed Bahagat Singh,|Thik hai bolne ki azadi hai magar ye azadi di kisne hai ," {The freedom|The liberty} {has been|continues to be|is|has become|has actually been|has long been} {given|offered|provided|presented|supplied|specified} {to you|for you|to you personally} bye the {constitution|Structure} {of this|of the} {country|nation|region|place|state},The Honorable Supreme {Court|Courtroom|Court docket} has some {guidelines|recommendations|suggestions|tips|pointers|rules} the honorable {constitution|Structure} {of this|of the} {country|nation|region|place|state} has some guideline and {we must|we have to} {respect|regard} that "}

{Maa dubara se wo maa sabd tere aggey tujhe bolna chahti hu fir se Kya tu dubara janam legi milne k liye mujhse,|Yaad shayari in hindi pic हसीन पलों को फिर से आबाद कर रहे थे|A {selection of|choice of|collection of|variety of|number of|array of} {100|one hundred|a hundred} most {famous|well-known|renowned|popular|well known|famed} ghazals curated by Rekhta, {based on|according to|depending on|determined by|based upon|dependant on} {popularity|recognition|reputation|acceptance|level of popularity|attractiveness} and {quality|high quality|top quality|good quality|excellent|high-quality} of ghazals.|“chashm e nam muskuraana” – teary eye smiling is {a beautiful|an attractive|a gorgeous|a lovely|a good looking|a wonderful} juxtaposition of {pain|discomfort|ache|soreness|suffering|agony} and {pleasure|enjoyment|satisfaction}, {a long|an extended|a protracted|a lengthy} {established|set up|proven|recognized|founded} {tradition|custom} in Urdu poetry {where|exactly where|in which|the place|wherever|where by} {many times|often times|repeatedly|over and over|again and again|persistently} {pain|discomfort|ache|soreness|suffering|agony} {is to|would be to|is always to|is usually to|will be to|should be to} be treasured. Your {memories|Recollections|Reminiscences} emerged all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. Tearful eyes recalling loving {moments|times}, smiled all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}.|तुम्हें चाहते हैं इतना कि बता नहीं सकते|In Makhdoom’s Ghazal {the picture|the image} {is one of|is among} a mad/passionate wanderer ala Majnun. Faiz bemoans the absence {of this|of the} wanderer to {the point|The purpose} that even the {door|doorway} knocker {is calling|is asking|is looking} for him.|मगर तू देख लेना , तेरे सायों में नज़र आयेंगे|{We've|We have} all {grown|developed} up with that {one|1|a single|one particular|just one|a person} cousin {in the|within the|inside the|while in the|from the|during the} {family|family members|loved ones|household|relatives|spouse and children}, the {one|1|a single|one particular|just one|a person} who's {known for|recognized for|noted for} their {spectacular|magnificent|breathtaking|stunning|impressive|amazing} singing voice. But, at MeraGana.com we {believe that|think that|feel that} singing {is not the|isn't the} privilege {of the|from the|in the|on the|with the|of your} {select|choose|pick|decide on|pick out|find} {few|couple of|handful of|number of|several|couple}.  |{Duration|Length|Period} : 04:23   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 39761    Aapne Sahu Ae Harta Farta aapan sahuve harta farta pijara upar banaviyo mor rudo ne ema bhariya nariya chithara aapan sahuve harta farta pijara panda na pinjara ma pande purayo hansalo kamangaro panda na pinjara ma pande purayo hansalo kamangaro koi no nakhelo charo e charto chhodi ne moti no charo chone banaviyo mahel rudo chone banaviyo mahel rudo pan bhitarma to bhariya chithara aapan sahuve harta farta pijara nahi aaro ke nahi ovaro eavo sansar sagar kharo tari ne dubavu ke dubi ne tarvu varafartyhi varo sagar keru naam dhariyu sagar keru naam dhariyu pan neru juvo to ena chichara re aapan sahuve harta farta pijara Mukesh 02:26 32046     {Category|Class|Group|Classification}|Makhdoom {might|may|may well|may possibly|could|could possibly} {well|nicely|effectively|properly|very well|perfectly} be {talking about|referring to|speaking about|discussing} his beloved, but Faiz {has a|features a|includes a|incorporates a|provides a|contains a} double {meaning|which means|that means|indicating|this means}, {talking about|referring to|speaking about|discussing} his {friend|Buddy|Pal|Good friend|Mate|Close friend} {and also|as well as|and in addition|and likewise|in addition to} {about the|concerning the|regarding the|in regards to the|with regards to the|with regard to the} beloved.|मगर कम्बख्त ऊँगली को जख्मी किए जा रही थी|तेरी यादें तेरी बातें बहुत मसरूफ़ रखती हैं|Makhdoom {is not|isn't|just isn't|is just not|will not be|is not really} named {directly|straight|immediately|right|specifically|instantly} {in the|within the|inside the|while in the|from the|during the} Ghazal and {there is|There's|There is certainly|There exists|There may be|You can find} the {studied|researched|analyzed|examined} ambiguity … is he forlorn {because of the|due to the|as a result of|due to} beloved or {because of the|due to the|as a result of|due to} {loss of|lack of} his {friend|Buddy|Pal|Good friend|Mate|Close friend}.|Kisi ek bewkoof ne ye kah diya ki Bhagat Singh jaisa hai ,Abe sharm karo and {clear|distinct|very clear|obvious|crystal clear|apparent} ur {facts|details|information|specifics|info|points} {before you|before you decide to|prior to deciding to} {compare|Evaluate|Examine|Assess|Review|Look at} that {guy|man|male|dude|person} with revolutionaries, kaun the wo or kiski baat kar rahe ** uss inshaan ki {who can|who will}'t {deliver|provide|supply|produce} two {right|correct|proper|appropriate|suitable|ideal} sentences {in one|in a single} {particular|specific|certain|distinct|unique|individual} languages,|Our minds and bodies are rhythmic, {just like the|much like the} rhythms of our {heart|coronary heart} {beat|defeat|conquer}, so sing {along|alongside|together} to MeraGana.com {either|both|possibly} by {yourself|your self|oneself|by yourself|on your own|you} or with {friends and family|family and friends|relatives and buddies} {for a|to get a|for any|for the|for your|for just a} {sure|certain|positive|confident|absolutely sure|guaranteed}-shot {sense|feeling|perception} of {happiness|joy|pleasure|contentment}, elevation and positivity.  |{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|अभी तो उनकी यादों से लिपट के रोते रहते हैं |न जाने किस गली में ज़िंदगी की शाम हो जाए|"Aisa hai karne par aa jaye to bahot kuch kar sakte hai , lekin hum samman karte hai bharat ke sarrwoch nyayalay ka (Supreme {court|courtroom|court docket} ka )" or uske aadesh ki awhelna nahi karna chahte hai , uske aadesh ka paalan karte hue kuch gaddaro ko aaj v chod rakha hai,}

{Now, YOU {can have|may have|might have} a theatrical, magical {ambience|atmosphere} and {experience|encounter|expertise|knowledge|practical experience|working experience} at your fingertips. Re-{create|produce|develop|generate|make|build} {your own|your personal|your own personal|your very own|your individual|your own private} magic {wherever|anywhere|where ever} and {whenever|Anytime|Every time|Each time|When|Any time}, with {an added|an additional} {feature|function|characteristic|attribute|element|aspect} of {adjusting|modifying|altering|changing} Pitch / Scale and tempo {as per|According to} your singing {needs|requirements|wants|demands|desires|requires}. Our {Online|On-line|On the internet|On the web|On the net|On line} Karaoke:|यादें तुम्हारी अश्कों की बरसात लाती है |Har ek pal ki kahani thi Woh dastaanon ka har lamha Us chaukhat ka har ek paththar Har zarra yaad aata tha|नहीं आती तो याद उन की महीनों तक नहीं आती|मुस्कुराते रहे हम, आँखों में नमी सी रही|{Duration|Length|Period} : 04:{30|thirty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20721    Aaj Kal Paaon Zameen Par Nahin Padte hmmm hmmm hmmmmm hmmm hmmm hmmmmm hmmmm hmm aaj kal paaon zameen par nahin padte mere aaj kal paaon zameen par nahin padte mere bolo dekha hai kabhi tumne mujhe udte huye aaj kal paaon zameen par nahin padte mere jab bhi thaama hai tera haath to dekha hai jab bhi thaama hai tera haath to dekha hai log kehte hai ke bas haath ki rekha hai humne dekha hai do taqdeeron ko judte huye aaj kal paaon zameen par nahin padte mere bolo dekha hai kabhi tumne mujhe udte huye aaj kal paaon zameen par nahin padte mere neend si rehti hai halka sa nasha rehta hai raat din aankhon mein ik chehra basa rehta hai par lagi aankhon ko dekha hai kabhi udte huye bolo aaj kal paaon zameen par nahin padte mere bolo dekha hai kabhi tumne mujhe udte huye aaj kal paaon zameen par nahin padte mere jaane kya hota hai har baat pe kuchh hota hai din mein kuchh hota hai aur raat mein kuchh hota hai thaam lena jo kabhi dekho humen udte huye aaj kal paaon zameen par nahin padte mere bolo dekha hai Ghar (1978) 05:{43|forty three} 20019     {Category|Class|Group|Classification}|Yaad shayari in hindi for girlfriend ग़रज़ कि काट दिए ज़िंदगी के दिन ऐ दोस्त|नहीं फुर्सत यकीं मानो हमें कुछ और करने की|इस उम्र का जादू सदा रहने वाला नहीं यारों|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|aap ki yaad aati rahi raat bhar chashm-e-nam muskuraati rahi raat bhar raat bhar dard ki shama jalti rahi gham ki lau thartharaati rahi raat bhar bansuri ki surili suhani sada yaad ban ban ke aati rahi raat bhar yaad ke chand dil mein utarte rahe chandni jagmagati rahi raat bhar koi diwana galiyon mein phirta raha koi aawaz aati rahi raat bhar|कौन कहता है फासले मोहब्बत की याद मिटा देते हैं|{Under the|Beneath the|Underneath the} shade {of the|from the|in the|on the|with the|of your} bower in bloom, the {morning|early morning} breeze {told|informed|advised|instructed|explained to} your {story|Tale} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. Does “shaaKh e gul ke tale`” remind you of “chameli ke manDve tale`”? I does me.|Mai Bharat maa ka beta hu pahle ,uske baad ek maa ne mujhe janm dia h is sthal bharat bhumi par ussi ki lie kuch likha tha ye ki..|सुकून इतना ही काफी है जिंदगी जीने के लिए…|{Duration|Length|Period} : 03:09   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20395    Gaya Andhera Hua gaya andheraa hua ujaaraa gaya andheraa hua ujaaraa chamka chamka subah ka taaraa gaya andheraa hua ujaaraa chamka chamka subah ka taaraa toote dil kaa bandhaa sahaara chamka chamka subah ka taaraa saans khushi ki tan mein aai armaanon ne li angdaai jaag uthi ummiden saari jaag uthi taqdeer hamaari tumhe kisi ne {door|doorway} pukaraa chamka chamka subah ka taaraa gaya andheraa hua ujaaraa chamka chamka subah ka taaraa murjhaai kali kyaa phir se khilegi murjhaai kali kyaa phir se khilegi khoyi huyi kyaa raahat milegi khoyi huyi kyaa raahat milegi kahin ye taaraa toot na jaaye subah ka saathi chhoot na jaaye aankhon mein reh jaaye nazaaraa chamka chamka subah ka taaraa gaya andheraa hua ujaaraa chamka chamka subah ka taaraa gayi udaasi raunak chhaayi roshani ab jeevan mein aayi hansi khushi ka chhedo taraanaa naach uthe mann jhoome zamaanaa samaa suhaanaa pyaaraa pyaaraa chamka chamka subah ka taaraa gaya andheraa hua ujaaraa chamka chamka subah ka taaraa gaya andheraa hua Subah Ka Tara (1954) 03:23 14287     {Category|Class|Group|Classification}|dil mein ab yun tere bhule hue gham aate hain jaise bichhDe hue kabe mein sanam aate hain ek ek kar ke hue jate hain tare raushan meri manzil ki taraf tere qadam aate hain raqs-e-mai tez karo saz ki lai tez karo su-e-mai-KHana safiran-e-haram aate hain kuchh hamin ko nahin ehsan uThane ka dimagh wo to jab aate hain mail-ba-karam aate hain aur kuchh der na guzre shab-e-furqat se kaho dil bhi kam dukhta hai wo yaad bhi kam aate hain|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|कि जिस दिन तुम नहीं आते तुम्हारी याद आती है}

{kab Thahrega dard ai dil kab raat basar hogi sunte the wo aaenge sunte the sahar hogi kab jaan lahu hogi kab ashk guhar hoga kis din teri shunwai ai dida-e-tar hogi kab mahkegi fasl-e-gul kab bahkega mai-KHana kab subh-e-suKHan hogi kab sham-e-nazar hogi waiz hai na zahid hai naseh hai na qatil hai ab shahr mein yaron ki kis tarah basar hogi kab tak abhi rah dekhen ai qamat-e-jaanana kab hashr muayyan hai tujh ko to KHabar hogi|राजस्थानी लोकगीत के हैं शौकीन तो सुनिए ये गाने|Agar gharo me baithe ** naa or tumhari behne or tumhari maaye ghar se nikal kar jaa rahi hai to sirf ye hindustani fauz hai jiski dumm pe tumne bhai hone kaa baap hone ka farz nahi nibhaya hoga "{this is the|This is actually the|This can be the|Here is the} only indian armed forces which {maintain|preserve|sustain|keep|retain|manage} the degnity {of a|of the} soldier nad maintains that brotherhood" aapki bahne aapki maaye agar surakshit hai to wo bharat ki senaye hai jiske kaaran hai , bolne ke pahle socha karo or kismat bahot acchi thi ki fauz ke saamne nahi bola warna jo Hero bana di na iss desh ne ,fauz tum jaise ko choddti bhai nahi ....magar ye bharat ka samvidhan hai "{there is|There's|There is certainly|There exists|There may be|You can find} the {constitution|Structure} of India" jisne baandh rakha hai humare haatho ko , Krodh karna meri aadat nahi hai magar aata hai gussa islie aata hai kyuki chanakya ne kaha ki akshar maine juthe {logo|emblem|brand|symbol} ko mushkurate hue dekha hai .|Sham’a is {bright|vibrant|brilliant|vivid|shiny|dazzling} ({happiness|joy|pleasure|contentment}) {and is|and it is|and is also|which is|and is particularly} juxtaposed {here|right here|listed here|below|in this article} with Gham ({pain|discomfort|ache|soreness|suffering|agony}) – and its flickering is suggestive of alternating {pain|discomfort|ache|soreness|suffering|agony} and anticipation. {This is a|This can be a|It is a|That is a|This is the} {direct|immediate} parallel to “dard ki sham’a” and “Gham ki lau”, {used by|utilized by|employed by} Makhdoom in {the second|the next|the 2nd} she’r of his ghazal, “raat bhar”.|तसद्दुक़ इस करम के मैं कभी तन्हा नहीं रहता|उन लबों की याद आयी गुल के मुस्कुराने से|{Duration|Length|Period} : 05:{57|fifty seven}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 36865    Aaj Unse Pehli Mulaqaat aaj unse pehli mulaqaat hogi phir aamne saamne baat hogi phir hoga kya kya pata kya khabar phir hoga kya kya pata kya khabar aaj unse pehli mulaqaat hogi phir aamne saamne baat hogi phir hoga kya kya pata kya khabar phir hoga kya kya pata kya khabar andekha anjaana mukhda kaisa hoga na jaane wo chaand ka tukda kaisa hoga are andekha anjaana mukhda kaisa hoga na jaane wo chaand ka tukda kaisa hoga milte {hi|Hello} unse nazar haaye dil mein ik beqaraari si din raat hogi phir hoga kya kya pata kya khabar phir hoga kya kya pata kya khabar aaj unse pehli mulaqaat hogi baithe honge raste pe wo aankhen bichhaye har aahat pe sochte honge saajan aaye baithe honge raste pe wo aankhen bichhaye har aahat pe sochte honge saajan aaye kya haal hoga wahaan kuchh na poochho dil mein umangon ki baarat hogi phir hoga kya kya pata kya khabar phir hoga kya kya pata kya khabar khul ke hongi tanhaayi mein dil ki baaten pyaase tan mann pe hongi rim jhim barsaaten khul ke hongi tanhaayi mein dil Paraya Dhan (1971) 05:{44|forty four} 13917     {Category|Class|Group|Classification}|इलाही देखिये किस दिन हमें वो याद करते हैं|{Duration|Length|Period} : 07:{40|forty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 13847    Barsaat Mein Hum Se Mile Tum hum se mile tum sajan tumse mile hum barsaat mein hum se mile tum sajan tumse mile hum barsaat mein preet ne shringar kiya {main|primary|principal|major|key|most important} bani dulhan {main|primary|principal|major|key|most important} bani dulhan sapnon ki rimjhim mein naach utha mann mera naach utha mann aaj {main|primary|principal|major|key|most important} tumhari huyi tum mere sanam aaj {main|primary|principal|major|key|most important} tumhari huyi tum mere sanam tum mere sanam barsaat mein hum se mile tum sajan tumse mile hum barsaat mein ye samaan hai ja rahe ho kaise manaaun kaise manaaun ye samaan hai ja rahe ho kaise manaaun kaise manaaun {main|primary|principal|major|key|most important} tumhari raah mein ye nain bichhaun nain bichhaun yun na aao tumko meri jaan ki kasam jaan ki kasam barsaat mein barsaat mein hum se mile tum sajan tumse mile hum barsaat mein der na karna kahin ye aas toot jaye saath chhoot jaye der na karna kahin ye aas toot jaye saath chhoot jaye tum na aao dil ki lagi mujhko {hi|Hello} jalaye khaak mein milaaye aag ki lapton mein pukare ye mera mann mil na sake haye mil na sake hum aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa aaaa haaye barsaat Barsaat (1949) 02:{49|forty nine} 20203     {Category|Class|Group|Classification}|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|sham-e-firaq ab na puchh aai aur aa ke Tal gai dil tha ki phir bahal gaya jaan thi ki phir sambhal gai bazm-e-KHayal mein tere husn ki shama jal gai dard ka chand bujh gaya hijr ki raat Dhal gai jab tujhe yaad kar liya subh mahak mahak uThi jab tera gham jaga liya raat machal machal gai dil se to har moamla kar ke chale the saf hum kahne mein un ke samne baat badal badal gai aaKHir-e-shab ke ham-safar ‘faiz’ na jaane kya hue rah gai kis jagah saba subh kidhar nikal gai|इस दिल को तुमसे बेइन्तेहाँ मोहब्बत है…|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|chandni dil dukhaati rahi bharYour {memories|Recollections|Reminiscences} floated {across|throughout} my {mind|thoughts|brain|head|intellect} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. {The full|The total|The complete|The entire} moon (reminding me of you) {made|produced|created|manufactured|designed|built} my {heart|coronary heart} forlorn, aching all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}.|This ghazal {contains|consists of|includes|is made up of|has|incorporates} ashaar not {published|printed|revealed|released|posted} in {the public|the general public} {domain|area}. {These are|They are|They're|These are generally|These are typically|These are definitely} marked by a {red|crimson|purple|pink} line {on the|around the|within the|about the|to the|over the} {left|still left|remaining}.|{i love|I really like|I like} you alot. N {you are|you're|you might be|you happen to be|you will be|that you are} my only {wish|want|desire|would like}, {need|require|want|need to have|will need|have to have} n {reason|purpose|cause|explanation|motive|rationale}. {Trust|Believe in|Have confidence in|Have faith in|Rely on|Belief} me {i love|I really like|I like} you n only you. {Please|Make sure you|Remember to|You should|Be sure to} my sweet {heart|coronary heart} marry me.|0 {1|one} {2|two} {3|three} {4|four} {5|five} {6|six} {7|seven} {8|eight} {9|nine} A B C D E {F|File} G H I J K L M N O P Q R S T U V W X Y Z    {Show|Display|Present|Demonstrate|Exhibit|Clearly show} All {Working|Operating|Functioning|Doing work|Performing|Doing the job}....   {Songs|Tunes|Tracks|Music} Title {Film|Movie}/Album {Duration|Length|Period} {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection}   Aa Dekhen Zara aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiya aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiya aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiya aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiya heyyyy yaaa aage nikal aaye hum wo peechhe reh gaye aage nikal aaye hum woh peechhe reh gaye uppar chale aaye hum wo neechhe reh gayeeee uppar chale aaye hum wo neechhe reh gaye wo hum se haarenge hum baazi maarenge hum unse kya hai kam naachenge aise hum naachenge aise hum naachenge wo kya aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiya aa dekhen zara kisme kitna hai dum jam ke rakhna kadam mere saathiyaaaaaa hey hey hey hey hey hey hey hey hey hey hey hey hey huuuuuu shibab ba daaa duyiiiiii di da da da da saare shahar mein humin hain hum sa kaun hai jhuuuu jhuuu jhuuu jhuuaaa saare shahar mein humin hain hum sa kaun hai haaaaaa haaaaaaaa hooooo uuuuuuuu hooouuuu dekho Rocky (1981) 08:{40|forty} 18222     {Category|Class|Group|Classification}|सनम की याद में हरदम खुदा को याद करते हैं}

{कैसा अजीब सा लगता है न सुनकर, मगर यही सच है.|{Duration|Length|Period} : 04:01   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18111    Aap Yun Faaslon Se oooooooooo ooooooo oooooo ooooo oooo ooooo hmmmmm hmmmm hmmm hmmmmmm hmmmmmm hmmmmmm aap yun faaslon se guzrte rahe aap yun faaslon se guzrte rahe dil se kadmon ki aawaaz aati rahi aahton ke andhere chamakte rahe raat aati rahi raat jaati rahi aap yun hoooo ooooo hmmm hmmmm hmmm hmmmm gungunaati rahi meri tanhaaiyaan {door|doorway} bajti rahi kitni shehnaaiyan zindagi zindagi ko bulaati rahi aap yun faaslon se guzrte rahe dil se kadmon ki aawaaz aati rahi aap yun katra katra pighalta raha aasmaan katra katra pighalta raha aasmaan ruhon ki waadiyon mein naa jaane kahaan ik nadi ik nadi dilruba ki gaati rahi aap yun faaslon se guzrte rahe dil se kadmon ki aawaaz aati rahi aap yun aaaap ki garam baahon mein kho jaayenge aaaap ki naram zaanon pe so jaayenge so jaayenge muddaton raat needen churati rahi aap yun faaslon se guzrte rahe dil se kadmon ki aawaaz aati rahi aap yun aap yun Shankar Husain (1977) 04:33 15739     {Category|Class|Group|Classification}|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|{Duration|Length|Period} : 05:{10|ten}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20027    Aaj Tu Gair Sahi haan aaj tu gair sahi pyar se bair sahi haan aaj tu gair sahi pyar se bair sahi teri aankhon mein koi pyaar ka paigaam nahin tujhko apna na banaya to mera naam nahin tujhko apna na banaya to mera naam nahin aaj tu gair sahi pyar se bair sahi teri aankhon mein koi pyaar ka paigaam nahin tujhko apna na banaya to mera naam nahin tujhko apna na banaya to mera naam nahin ho tune thukraya tha jis dil ko kisi ki khatir aaj us dil mein bagawat ke siva kuchh bhi nahin jinme sapne the tere pyar ke aye jaan e wafa aaj un aankhon mein nafrat ke siva kuchh bhi nahin pyaar ki aag mein pyaar ki aag mein sang dil mein jala hoon kitna tujhko utna na jalaya to mera naam nahin tujhko apna na banaya to mera naam nahin sari duniya mein fakat tujhse mohabbat ki hai tu kisi aur ki ho jaye ye mumkin {hi|Hello} nahin naam tera {hi|Hello} mere naam ke saath aayega tu kisi aur ki kehlaye ye mumkin {hi|Hello} nahin naaz hai tujhko naaz hai tujhko bahut husn pe apne lekin tere sar ko na jhukaya to mera naam nahin Oonche Log (1985) 05:{57|fifty seven} 36865     {Category|Class|Group|Classification}|0 {1|one} {2|two} {3|three} {4|four} {5|five} {6|six} {7|seven} {8|eight} {9|nine} A B C D E {F|File} G H I J K L M N O P Q R S T U V W X Y Z    {Show|Display|Present|Demonstrate|Exhibit|Clearly show} All {Working|Operating|Functioning|Doing work|Performing|Doing the job}....   {Songs|Tunes|Tracks|Music} Title {Film|Movie}/Album {Duration|Length|Period} {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection}   Aapki Yaad Aati Rahi aapki yaad aati rahi raat bhar aapki yaad aati rahi raat bhar chashme nam muskuraati rahi raat bhar aapki yaad aati rahi raat bhar dard ki shamma jalti rahi raat bhar dard ki shamma jalti rahi ghum ki lau thar tharaati rahi raat bhar ghum ki lau thar tharaati rahi raat bhar aapki yaad aati rahi baasuri ki sureeli suhaani sada baasuri ki sureeli suhaani sada yaad ban ban ke aati rahi raat bhar yaad ban ban ke aati rahi raat bhar chashme nam muskuraati rahi yaad ke chaand dil mein utarte rahe yaad ke chaand yaad ke chaand dil mein utarte rahe chandani jagmagaati rahi raat bhar chandani jagmagaati rahi raat bhar aapki yaad aati rahi koi deewana galiyon mein phirta raha koi deewana koi deewana galiyon mein phirta raha koi aawaz aati rahi raat bhar koi aawaz aati rahi raat bhar chashme nam muskuraati rahi raat bhar aapki yaad aati rahi Gaman (1978) 04:{55|fifty five} 13256     {Category|Class|Group|Classification}|{Have you|Have you ever} {ever|at any time} {had|experienced} an uneasy {feeling|sensation|experience|emotion} {knowing|understanding|realizing|being aware of|figuring out|recognizing} you’re stirring a hornet’s nest and bracing {yourself|your self|oneself|by yourself|on your own|you} {for the|for your|to the|for that|with the} {inevitable|unavoidable|inescapable} backlash? {Do you|Would you|Does one} {remember|keep in mind|bear in mind|don't forget|recall|try to remember} {how it|the way it} {is to|would be to|is always to|is usually to|will be to|should be to} {send|deliver|ship|send out|mail} a poem, with {controlled|managed} flirtation, and {hold|maintain|keep} your breath, {wondering|questioning|asking yourself|pondering|wanting to know|thinking} if {the person|the individual} {will get|can get} it, and reciprocate? |जब वह नहीं आयी तो आँखों से आंसू बर्बाद किया|{In this|Within this|On this|In this particular|With this|During this} hyper {connected|linked|related} {world|globe|planet|entire world|earth|environment}, can we forgive a tardy {response|reaction}? Can we {appreciate|value|enjoy|recognize|take pleasure in|respect} the {pain|discomfort|ache|soreness|suffering|agony} {of a|of the} delayed reply? |शाम ढले इस वीरान घर में मेला सा लगता है…|ek aisi manhoosiyat dil pe cha jaati hai Jo chahe bhi mit nhi paati aur vo yaadein bhulaaye bhi bhula nhi paate reh reh k **** mein gade kaante ki tarah dard diye jaata hai|अभी बुझी भी न थी प्यास कि, बरसात गुज़र गयी|{Click here|Simply click here|Just click here|Click this link|Click the link} for {overall|General|All round|Total|Over-all|In general} {comments|feedback|remarks|responses|reviews|opinions} and on any passage for meanings and {discussion|dialogue}. The simplicity {of the|from the|in the|on the|with the|of your} language {in this|Within this|On this|In this particular|With this|During this} ghazal and its {rather|instead|fairly|relatively|somewhat|alternatively} {straightforward|simple|easy|uncomplicated|clear-cut} imagery {makes it|causes it to be|can make it} all {the more|the greater} poignant. There {is great|is excellent} {pleasure|enjoyment|satisfaction} in {comparing|evaluating} by {repeated|recurring} {back and forth|backwards and forwards|forwards and backwards} {reading|studying|reading through|looking through|looking at|examining} this ghazal and Faiz’s composition {in the|within the|inside the|while in the|from the|during the} {style of|type of|kind of|form of|variety of|sort of} Makhdoom’s {done|carried out|completed|accomplished|performed|finished} {as a|as being a|like a|being a|for a|to be a} tribute to his {friend|Buddy|Pal|Good friend|Mate|Close friend}.|तेरी याद में खुद को क्यों बर्बाद करूँ…|Magar dharti se ambar tak yugo se log kahte hai Agar saccha hai kuch jag me to Maa ka pyar saccha hai |||{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|पता है, दोस्तों, यादें हमेशा चलती रहती हैं, आप चाहे किसी भी सूरत में हों, आराम कर रहें हो, या काम, सोने कि कोशिश कर रहें हो, या किसी से बात, यादें लगातार आपके मन में चलती रहती है.|{Duration|Length|Period} : 03:{58|fifty eight}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18174    Mere To Giridhar Gopal aaaaaa aaaaa aaaaa aaaaaa aaaaaa aaaaa aaaaa mere to giridhar gopal dusro na koi mere to giridhar gopal dusro na koi jaake sar mor mukut mero pati soyi mere to giridhar gopal dusro na koi koi kahe kaaro koi kahe goro koi kahe kaaro koi kahe goro liyo hai ankhiyaan khol koi kahe halko koi kahe bharo koi kahe halko koi kahe bharo liyo hai taraju tol mere to giridhar gopal dusro na koi mere to giridhar gopal dusro na koi koi kahe chhane koi kahe chhavne koi kahe chhane koi kahe chhavne liyo hai pachan ka dhol tan ka gehna {main|primary|principal|major|key|most important} sab kuchh dina tan ka gehna sab kuchh dina diyo hai baaju band khol mere to giridhar gopal dusro na koi mere to giridhar gopal dusro na koi jaake sar mor mukut mero pati soyi mere to giridhar gopal dusro na koi Meera (1979) 03:{10|ten} 18143     {Category|Class|Group|Classification}|ishq ke shoale ko bhaDkao ki kuchh raat kaTe dil ke angare ko dahkao ki kuchh raat kaTe hijr mein milne shab-e-mah ke gham aae hain chaarasazon ko bhi bulwao ki kuchh raat kaTe koi jalta {hi|Hello} nahin koi pighalta {hi|Hello} nahin {mom|Mother} ban jao pighal jao ki kuchh raat kaTe chashm o ruKHsar ke azkar ko jari rakkho pyar ke {name|title|identify} ko doharao ki kuchh raat kaTe aaj ho jaane do har ek ko {bad|poor|negative|undesirable|terrible|lousy}-mast-o-KHarab aaj ek ek ko pilwao ki kuchh raat kaTe koh-e-gham aur giran aur giran aur giran gham-zado teshe ko chamkao|{Duration|Length|Period} : 05:02   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 39170    Aana To Sajni Din Ko aana to sajni din ko aana sapnon mein aa ke sataana naa haaye aana to sajni din ko aana sapnon mein aa ke sataana naa are sapnon mein aa ke sataana naa din ko jab ghul khileeee meri jaan tu mileeeee din ko jab ghul khileeee meri jaan tu mileeeee phir adaa ka khazaanaa aa ke mujhpe lootaanaa par ye guzaarish sunti jaana sapnon mein aa ke sataana naa haaye aana to sajni din ko aana sapnon mein aa ke sataana naa sapnon mein aa ke sataana naa dekh le zaalima ye tadpnaa mera dekh le zaalima ye tadpnaa mera meri neendiyaa ki chori tune ki o chakori haaye mujhe kar ke deewana sapnon mein aa ke sataana naa haaye aana to sajni din ko aana sapnon mein aa ke sataana naa are sapnon mein aa ke sataana naa tere jalwe hazaar tu hai jaanebahaar tere jalwe hazaar tu hai jaanebahaar le ke aanchal ki chhaiyaan kahiyo aa {more|much more|a lot more|far more|additional|extra} saiyaan jaagun to chaahe jo farmaana sapnon mein aa ke sataana naa haaye aana to sajni din ko aana sapnon mein aa ke sataana naa are sapnon mein aa ke sataana naa Raton Ka Raja (1970) 04:31 14030     {Category|Class|Group|Classification}}

{{One more|Yet another|Another|Yet one more} {if not|Otherwise} {already|currently|presently|previously|by now|now} {listed|outlined|detailed|shown|stated|mentioned}: Yaad aa rahi hai teri yaad aa rahi hai Yaad aane se tere jane se jaan ja rahi hai|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|कितनी खूबसूरत हो जाती है,उस वक्त दुनिया|0 {1|one} {2|two} {3|three} {4|four} {5|five} {6|six} {7|seven} {8|eight} {9|nine} A B C D E {F|File} G H I J K L M N O P Q R S T U V W X Y Z    {Show|Display|Present|Demonstrate|Exhibit|Clearly show} All {Working|Operating|Functioning|Doing work|Performing|Doing the job}....   {Songs|Tunes|Tracks|Music} Title {Film|Movie}/Album {Duration|Length|Period} {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection}   Aap Se Pyaar Hua (Male) aap se pyaar hua aap khafaa ho baithe mil ke baithe bhi naa the aur judaa haaye judaa ho baithe aap se pyaar hua aap khafaa ho baithe mil ke baithe bhi naa the aur judaa haaye judaa ho baithe aap se pyaar huaa hooooo ooooo hoooo hoooo oooo haaye saans leti ho to kya kehar ki {loo|bathroom} chalti hai saans leti ho to kya kehar ki {loo|bathroom} chalti hai boo ye kehti hai koi dil ki si sheh jalti hai koi dil ki si sheh jalti hai surkh shole ki tarah surkh shole ki tarah aap ye kya ho baithe mil ke baithe bhi naa the aur judaa haaye judaa ho baithe aap se pyaar huaa josh pe husn ka tufaan nazar aata hai josh pe husn ka tufaan nazar aata hai ishq ki maut kaa saaman nazar aata hai saaman nazar aata hai aur kashti se kinaare aur kashti se kinaare bhi khafaa ho baithe mil ke baithe bhi naa the aur judaa haaye judaa ho baithe aap se pyaar huaa hooooo ooooo hoooo hoooo oooo haaye har nazar teer sahi dekhiye ik baar humen har nazar teer sahi dekhiye ik baar humen marna taqdeer sahi maut se hai Aabroo (1968) 04:{49|forty nine} 12546     {Category|Class|Group|Classification}|तुम्हारी याद के जब ज़ख़्म भरने लगते हैं|Now, YOU {can have|may have|might have} a theatrical, magical {ambience|atmosphere} and {experience|encounter|expertise|knowledge|practical experience|working experience} at your fingertips. Re-{create|produce|develop|generate|make|build} {your own|your personal|your own personal|your very own|your individual|your own private} magic {wherever|anywhere|where ever} and {whenever|Anytime|Every time|Each time|When|Any time}, with {an added|an additional} {feature|function|characteristic|attribute|element|aspect} of {adjusting|modifying|altering|changing} Pitch / Scale and tempo {as per|According to} your singing {needs|requirements|wants|demands|desires|requires}. Our {Online|On-line|On the internet|On the web|On the net|On line} Karaoke:|dil-e-nadan tujhe hua kya hai aaKHir is dard ki dawa kya hai hum hain mushtaq aur wo be-zar ya ilahi ye majra kya hai {main|primary|principal|major|key|most important} bhi munh mein zaban rakhta hun kash puchho ki muddaa kya hai jab ki tujh bin nahin koi maujud phir ye hangama ai KHuda kya hai ye pari-chehra log kaise hain ghamza o ishwa o ada kya hai shikan-e-zulf-e-ambarin kyun hai nigah-e-chashm-e-surma sa kya hai sabza o gul kahan se aae hain abr kya chiz hai hawa kya hai hum ko un se wafa ki hai ummid jo nahin jaante wafa kya h|ना जाने क्यों तेरी मिलने की आस लगी रहती है…|Our minds and bodies are rhythmic, {just like the|much like the} rhythms of our {heart|coronary heart} {beat|defeat|conquer}, so sing {along|alongside|together} to MeraGana.com {either|both|possibly} by {yourself|your self|oneself|by yourself|on your own|you} or with {friends and family|family and friends|relatives and buddies} {for a|to get a|for any|for the|for your|for just a} {sure|certain|positive|confident|absolutely sure|guaranteed}-shot {sense|feeling|perception} of {happiness|joy|pleasure|contentment}, elevation and positivity.  |{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|koi ummid bar nahin aati koi surat nazar nahin aati maut ka ek din muayyan hai nind kyun raat bhar nahin aati aage aati thi haal-e-dil pe hansi ab kisi baat par nahin aati jaanta hun sawab-e-taat-o-zohd par tabiat idhar nahin aati hai kuchh aisi {hi|Hello} baat jo chup hun warna kya baat kar nahin aati kyun na chiKHun ki yaad karte hain meri aawaz gar nahin aati dagh-e-dil gar nazar nahin aata bu bhi ai chaaragar nahin aati hum wahan hain jahan se hum ko bhi kuchh hamari KHabar nahin aati marte|When autocomplete {results|outcomes|final results|benefits|effects|success} {are available|can be found|can be obtained|are offered} {use up|deplete|burn up|dissipate|expend} and down arrows to {review|evaluation|assessment|overview|critique|evaluate} and enter {to select|to pick|to pick out|to choose}. {Touch|Contact} {device|gadget|unit|system|product|machine} {users|customers|consumers|end users|people|buyers}, {explore|discover|investigate|check out|examine|take a look at} by {touch|contact} or with swipe gestures.|याद करते हैं हम आज भी उन्हें पहले की तरह|इन मिसिंग यू शायरी इन हिंदी में एक बात आप साफ़ तौर पे देखेंगे, और वो ये कि, इंसान अपनी यादों के सहारे ही अपनी ज़िन्दगी की दिशा तय करता है। ये बात हमेश याद रक्खें।|अक्सर अब रातों को एक तस्वीर उभर जाती है|इसमें किसी खुशी के लिए कोई ठिकाना नहीं है|यही आपको ज़िन्दगी में सफलता दिलाने की कुंजी है।|यादें शायरी इन हिंदी भुलाने की तुम्हे कोशिश यूँ तो की बहोत मैंने|राह में तुमको खड़े मिलेंगे और भी कई दीवाने}

{tum aae ho na shab-e-intizar guzri hai talash mein hai sahar bar bar guzri hai junun mein jitni bhi guzri ba-kar guzri hai agarche dil pe KHarabi hazar guzri hai hui hai hazrat-e-naseh se guftugu jis shab wo shab zarur sar-e-ku-e-yar guzri hai wo baat sare fasane mein jis ka zikr na tha wo baat un ko bahut na-gawar guzri hai na gul khile hain na un se mile na mai pi hai ajib rang mein ab ke bahaar guzri hai chaman pe ghaarat-e-gul-chin se jaane kya guzri qafas se aaj saba be-qarar guzri hai|{lets|allows} {talk about|discuss|speak about|mention|look at|take a look at} that {person|individual|particular person|man or woman|human being} jisne har fauji har iss bharat maa ke bete ko {hurt|harm|damage} kia h aaj uske baare me baat karna bahot jaruri ** gya h|com {to your|for your|in your|to the|on your|towards your} '{Approved|Authorized|Accepted|Accredited|Permitted|Authorised} Sender' {list|checklist|listing|record}, {within|inside|inside of|in|within just|in just} your {email|e-mail|e 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obtain|to acquire|to have|to receive|for getting} {through|via|by means of|by way of|by|as a result of}.|कहीं ये अपनी मोहब्बत की इन्तेहाँ तो नहीं|{Duration|Length|Period} : 02:{49|forty nine}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20203    Dil Apna Aur Preet dil apna aur preet paraayi kisne hai ye reet banaayi aandhi mein ek deep jalaaya aur paani mein aag lagaayi dil apna aur preet paraayi kisne hai ye reet banaayi dil apna hai dard aisa ke sehna hai mushkil duniya waalon se kehna hai mushkil ghir ke aaya hai tufaan aisa bach ke saahil pe rehna hai mushkil ghir ke aaya hai tufaan aisa bach ke saahil pe rehna hai mushkil dil apna aur preet paraayi kisne hai ye reet banaayi aandhi mein ek deep jalaaya aur paani mein aag lagaayi dil apna dil ko sambhala na daaman bachaya faili jab aag tab hosh aaya ghum ke maare pukaare kise hum humse bichhda humara {hi|Hello} saaya ghum ke maare pukaare kise hum humse bichhda humara {hi|Hello} saaya dil apna aur preet paraayi kisne hai ye reet banaayi aandhi mein ek deep jalaaya aur paani mein aag lagaayi dil apna Dil Apna Aur Preet Parai (1960) 04:03 20346     {Category|Class|Group|Classification}|मगर कम्बख्त दिले-जख्म ताजा किए जा रही थी…|nahin nigah mein manzil to justuju {hi|Hello} sahi nahin visal mayassar to aarzu {hi|Hello} sahi na tan mein KHun faraham na ashk aankhon mein namaz-e-shauq to wajib hai be-wazu {hi|Hello} sahi kisi tarah to jame bazm mai-kade walo nahin jo baada-o-saghar to haw-hu {hi|Hello} sahi gar intizar kaThin hai to jab talak ai dil kisi ke wada-e-farda ki guftugu {hi|Hello} sahi dayar-e-ghair mein mahram agar nahin koi to ‘faiz’ zikr-e-watan apne ru-ba-ru {hi|Hello} sahi|{Duration|Length|Period} : 04:03   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20346    Do Hanson Ka Joda do hanson ka joda bichhad gayo re gajab bhayo raama julam bhayo re gajab bhayo raama julam bhayo re do hanson ka joda bichhad gayo re gajab bhayo raama julam bhayo re mora sukh chein bhi jeevan bhi mora chheen liya paapi sansaar ne saajan bhi mora chheen liya piya bin tarpe jiyaa ratiyaan bitaayon kaise birhaa ki agni ko asuwan se bujhaayon kaise jiyaa mora muskil mein pad gayo re gajab bhayo raama julam bhayo re gajab bhayo raama julam bhayo re raat ki aas gayi din ka sahaara bhi gaya mora sooraj bhi gaya mora sitaara bhi gaya preet kar ke kabhi preetam se na bichhade koi jaisi ujadi hoon mein aise bhi na ujade koi bana khel mora bigad gayo re gajab bhayo raama julam bhayo re gajab bhayo raama julam bhayo re jeete je chhodungi saiyaan na dagariyaa tori beet jaayegi yunhin saari umariyaa mori nainon se hoti rahegi yunhin barsaat balam yaad mein roti rahongi teri din raat balam nagar {more|much more|a lot more|far more|additional|extra} mann ka ujad gayo re gajab bhayo raama julam bhayo re gajab bhayo raama julam Ganga Jumna (1961) 03:09 20395     {Category|Class|Group|Classification}|जहाँ भी रखा पाँव वही पर काँटों भरी दीवार है|कहेंगे झूठ वो हमसे तुम्हारी याद आती है|{We've|We have} all {grown|developed} up with that {one|1|a single|one particular|just one|a person} cousin {in the|within the|inside the|while in the|from the|during the} {family|family members|loved ones|household|relatives|spouse and children}, the {one|1|a single|one particular|just one|a person} who's {known for|recognized for|noted for} their {spectacular|magnificent|breathtaking|stunning|impressive|amazing} singing voice. But, at MeraGana.com we {believe that|think that|feel that} singing {is not the|isn't the} privilege {of the|from the|in the|on the|with the|of your} {select|choose|pick|decide on|pick out|find} {few|couple of|handful of|number of|several|couple}.  |Makhdoom {might|may|may well|may possibly|could|could possibly} {well|nicely|effectively|properly|very well|perfectly} be {talking about|referring to|speaking about|discussing} his beloved, but Faiz {has a|features a|includes a|incorporates a|provides a|contains a} double {meaning|which means|that means|indicating|this means}, {talking about|referring to|speaking about|discussing} his {friend|Buddy|Pal|Good friend|Mate|Close friend} {and also|as well as|and in addition|and likewise|in addition to} {about the|concerning the|regarding the|in regards to the|with regards to the|with regard to the} beloved.|याद रखना ही मोहब्बत में होता नहीं सब कुछ|नहीं फुर्सत यकीन मानो हमें कुछ और करने की|.  Tri vo ladai yaad aati h Jo mj rote wqt b hsa jati h Or jb Tra, mera US trha dhyan rkhna yaad aata h|  waqt to Aaj bhi waisa he hai  bachpan me jaisa hota tha wohi savera wahi sham Or baki cheeje tamam Par tab naa bhigne se lagta tha darr  or  naa sardi jukam, or wo pani ki shrarate tamam|{Duration|Length|Period} : 04:{54|fifty four}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20068    Aapka Chehra Masha aapka chehra masha allaah julf ka pehra suhaan allaah aapki baaten wallah wallah itni muhabbat allah allah julf ka saawan gaal ki bijli donon ka deewana hoon julf ka saawan gaal ki bijli donon ka deewana hoon mera haq hai oo shehjaadi mera haq hai oo shehjaadi chaahat ka parwaana hoon aapka chehra ha ha aa aa masha allaah mm hm hm julf ka pehra o ho suhaan allaah ho aapki baaten wallah wallah itni muhabbat ho allah allah pyaar ka saagar itna gehra do dil jis mein doob chuke hain pyaar ka saagar itna gehra do dil jis mein doob chuke hain duniyaa waale bhed na jaane duniyaa waale bhed na jaane doob ke hum to paar huye hain aapka chehra hmm hm hm hm masha allaah oo ho ho julf ka pehra o ho suhaan allaah aapki baaten wallah wallah itni muhabbat allah allah in baahon ke haar to daalo apne gale se mujhe laga lo in baahon ke haar to daalo apne gale se mujhe laga lo aisa nasha hai behki jaaun aisa nasha hai behki jaaun aaj mujhe tum khud {hi|Hello} sambhalo aapka chehra ha ha aa Rootha Na Karo (1970) 05:24 32340     {Category|Class|Group|Classification}|yaad ban ban ke aati rahi raat bharBeautiful, {soothing|calming|comforting|relaxing} tunes {of the|from the|in the|on the|with the|of your} flute floated in, like {pleasant|nice|pleasurable|enjoyable} {memories|Recollections|Reminiscences} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}.|{Duration|Length|Period} : 05:{43|forty three}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 20019    Aaj Ki Raat Koi aaj ki raat koi aane ko hai re baba re baba re baba baba intezaar aur thoda intezaar aaj ki raat koi aane ko hai re baba use aane to de o dil e beqarar phir kar lena jee bhar ke pyaar shubu shubu shubu shubu shubuu shubu shubu shubu shubu shubuu na na na na na na na na na na na na na na na na na na tu to na ayaa aaya koi aur saajan mujhe aa kar bacha le tu tu {hi|Hello} tu bacha le lute hai mujhko meri jawani ka dushman koi kab tak sambhale tu tu tu bacha le bacha le aisa na ho lut jaye re tera pyaar aaj ki raat koi aane ko hai re baba re baba re baba re baba intezaar aur thoda intezaar aaj ki raat koi aane ko hai re baba use aane to de o dil e beqarar phir kar lena jee bhar ke pyaar shubu shubu shubu shubu shubuu shubu shubu shubu shubu shubuu aaja ab to aaja na aajaa aaj ki raat koi aane ko hai re baba re baba re baba baba intezaar aur thoda intezaar aaj ki raat koi aane ko hai re baba use aane to de o dil e beqarar phir kar lena jee bhar ke pyaar shubu shubu shubu shubu Anamika (1973) 06:{25|twenty five} 12664     {Category|Class|Group|Classification}}

{kab yaad mein tera sath nahin kab hat mein tera hat nahin {sad|unhappy|unfortunate}-shukr ki apni raaton mein ab hijr ki koi raat nahin mushkil hain agar haalat wahan dil bech aaen jaan de aaen dil walo kucha-e-jaanan mein kya aise bhi haalat nahin jis dhaj se koi maqtal mein gaya wo shan salamat rahti hai ye jaan to aani jaani hai is jaan ki to koi baat nahin maidan-e-wafa darbar nahin yan nam-o-nasab ki puchh kahan aashiq to kisi ka nam nahin kuchh ishq kisi ki zat nahin gar bazi ishq ki bazi hai jo chaho laga|{Duration|Length|Period} : 04:23   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 14375    Aapne Jeevan Ki Uljhan Ko (Male) apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun apno ne jo dard diye hain kaise {main|primary|principal|major|key|most important} batlaaun pyaar ke waade ho gaye jhuthe pyaar ke waade ho gaye jhuthe wafaa ke bandhan toote wafaa ke bandhan toote banke jeevan saathi koi chain mera kyun loote chain mera kyun loote aise jeevan saathi seeeeee aise jeevan saathi se {main|primary|principal|major|key|most important} kaise saath nibhaaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun apno ne jo dard diye hain kaise {main|primary|principal|major|key|most important} batlaaun kaise kaise bhed chhupaayen kaise kaise bhed chhupaayen haathon ki rekhayen haathon ki rekhayen koi naa jaane iss jeevan ko ye kiss or le jaayen ye kiss or le jaayen padh naa paaun lekh vidhi kaaaaa padh naa paaun lekh vidhi ka pal pal {main|primary|principal|major|key|most important} ghabraaun apne jeevan ki uljhan ko kaise {main|primary|principal|major|key|most important} suljhaaun apno ne jo dard diye hain kaise {main|primary|principal|major|key|most important} batlaaun apne jeevan ki uljhan ko Uljhan (1975) 04:27 14374     {Category|Class|Group|Classification}|This ghazal {contains|consists of|includes|is made up of|has|incorporates} ashaar not {published|printed|revealed|released|posted} in {the public|the general public} {domain|area}. {These are|They are|They're|These are generally|These are typically|These are definitely} marked by a {red|crimson|purple|pink} line {on the|around the|within the|about the|to the|over the} {left|still left|remaining}.|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|{Duration|Length|Period} : 08:{50|fifty}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 14415    Aapke Shaher Mein Aayi Hoon aaaa aaaa aaaa aaaa aaaa aaaa aaaa aapke shaher mein aayi hoon shauk se aapke zauk se phir bhi darti hoon {main|primary|principal|major|key|most important} apna dil tod kar dillagi chhod kar ek taazaa gazal pesh karti hoon {main|primary|principal|major|key|most important} ki jashn e shaadi hai raat aadhi hai jashn e shaadi hai raat aadhi hai khushnaseebon ko shab mubarak ho {main|primary|principal|major|key|most important} pashemaan hoon kuchh pareshan hoon mere ashkon ko aap mat dekho jaane mehboobi dard mein doobi cheez gaaungi muskuraungi ghum sahe dil mein phir bhi mehfil mein kya kisi se kya kisi se kya kisi se {main|primary|principal|major|key|most important} shikwa karungi {main|primary|principal|major|key|most important} tawayaf hoon mujra karungi {main|primary|principal|major|key|most important} tawayaf hoon mujra karungi dil ki dushman hoon {main|primary|principal|major|key|most important} ghum ki dulhan hoon toote waadon se bhooli yaadon se jaan jalti hai chot lagti hai phir bhi zinda hoon {main|primary|principal|major|key|most important} sharminda hoon aye meharbaano mere deewaano theek kehte ho chand logon ko pyaar karne ka hak nahin hota kya {main|primary|principal|major|key|most important} phir ye kya {main|primary|principal|major|key|most important} phir ye kya {main|primary|principal|major|key|most important} phir ye tamanna karungi {main|primary|principal|major|key|most important} tawayaf hoon mujra karungi {main|primary|principal|major|key|most important} tawayaf hoon mujra karungi saamne hai tu baandh loon ghunghru Mehbooba (1976) 05:07 39962     {Category|Class|Group|Classification}|aae kuchh abr kuchh sharab aae is ke baad aae jo azab aae baam-e-mina se mahtab utre dast-e-saqi mein aaftab aae har rag-e-KHun mein phir charaghan ho samne phir wo be-naqab aae umr ke har waraq pe dil ki nazar teri mehr-o-wafa ke bab aae kar raha tha gham-e-jahan ka hisab aaj tum yaad be-hisab aae na gai tere gham ki sardari dil mein yun roz inqalab aae jal uThe bazm-e-ghair ke dar-o-baam jab bhi hum KHanuman-KHarab aae is tarah apni KHamushi gunji goya har samt se jawab aae ‘faiz’ thi|{i love|I really like|I like} you alot. N {you are|you're|you might be|you happen to be|you will be|that you are} my only {wish|want|desire|would like}, {need|require|want|need to have|will need|have to have} n {reason|purpose|cause|explanation|motive|rationale}. {Trust|Believe in|Have confidence in|Have faith in|Rely on|Belief} me {i love|I really like|I like} you n only you. {Please|Make sure you|Remember to|You should|Be sure to} my sweet {heart|coronary heart} marry me.|All {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive} the lamp of {pain|discomfort|ache|soreness|suffering|agony} remained lit. The flame of sorrow flickered all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}. “dard ki sham’a jalti rahi raat bhar” … {there is|There's|There is certainly|There exists|There may be|You can find} an implied {statement|assertion} {that the|the|which the} lamp was {intentionally|deliberately} {kept|stored|held|retained|saved} {going|heading|likely} all {night|evening|night time} {long|lengthy|extended|prolonged|very long|extensive}, that {pain|discomfort|ache|soreness|suffering|agony} was treasured and sustained, {that the|the|which the} {pain|discomfort|ache|soreness|suffering|agony} of remembering the beloved is nurtured. {Note|Be aware|Notice|Observe|Take note} the parallelism that Faiz {uses|utilizes|makes use of|employs|works by using|takes advantage of} with “sham’a Gham”.|Jab tum sone jaate ** tab unki {duty|obligation|responsibility} ka waqt shuru hota hai , sharm khao iss baat k lie aur yaad rakho Bharat ko todne ki koshish mat karo|{Duration|Length|Period} : 05:23   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18883    Aapke Kamre Mein hmm hmm hmm hmm hmm hmm hmm hmm hmm hmm hmm hmm aapke kamre mein koi rehta hai ta ra ra ra ra hum nahin kehte zamana kehta hai ta ra ra ra ra aapke kamre mein koi rehta hai ta ra ra ra ra hum nahin kehte zamana kehta hai ta ra ra ra ra aapke kamre mein koi rehta hai hum aaj udhar se nikle to bade intzaam se gira raha tha koi parda haaye sare shaam se udhar aap ki {photo|Photograph|Picture|Image} se saji deewaar pe padaa hua tha ik saaya bade aaraam se aapke kamre mein koi rehta hai lala la la la la lala lala la la la la lala la la lala lala la lal lal la la la magar jo ik din {main|primary|principal|major|key|most important} guzri gali mein sarkaar ki tabhi se chalti hai dil pe haaye talwaar si dabi dabi halki halki hansi ki tanaav mein machal rahi thi chudi bhi haaye chhankaar thi yeh na samjho koi gafil rehta hai ta ra ra ra ra hum nahin kehte zamana kehta hai la la la la la aapke na na aapke na na na aapke kamre mein koi rehta hai agar {main|primary|principal|major|key|most important} kahu jo dekha nahin tha woh koi khawaab padaa tha {table|desk} pe chashma woh kiska janaab gore gale Yaadon Ki Baaraat (1973) 08:{50|fifty} 14415     {Category|Class|Group|Classification}|मिस यू शायरी – शमां जलानी है तेरी यादों की|ghar se hum ghar talak gae honge apne {hi|Hello} aap tak gae honge hum jo ab aadmi hain pahle kabhi jam honge chhalak gae honge wo bhi ab hum se thak gaya hoga hum bhi ab us se thak gae honge shab jo hum se hua muaf karo nahin pi thi bahak gae honge kitne {hi|Hello} log hirs-e-shohrat mein dar par KHud laTak gae honge shukr hai is nigah-e-kam ka miyan pahle {hi|Hello} hum khaTak gae honge hum to apni talash mein akasr az sama-ta-samak gae honge us ka lashkar jahan-tahan yani hum bhi bas be-kumak gae honge ‘jaun|ABOUT POEM :-This poem {related to|associated with|linked to|connected with|relevant to|connected to} {fraction|portion} and {all the|all of the|each of the|every one of the|the many|many of the} {word|phrase|term} {used in|Utilized in|Employed in} poem {related|associated|connected|relevant|linked|similar} {pain|discomfort|ache|soreness|suffering|agony} of {heart|coronary heart} #{short|brief|quick|limited|small|shorter} #{sad|unhappy|unfortunate} #{life|lifestyle|existence|daily life|lifetime|everyday living} #{hate|detest|dislike|loathe|despise} #{death|Loss of life|Demise|Dying} #{alone|on your own|by yourself|by itself} #{memories|Recollections|Reminiscences} #hindi #{fraction|portion} {Continue|Carry on|Proceed|Keep on|Continue on|Go on} {reading|studying|reading through|looking through|looking at|examining}...|Now, YOU {can have|may have|might have} a theatrical, magical {ambience|atmosphere} and {experience|encounter|expertise|knowledge|practical experience|working experience} at your fingertips. Re-{create|produce|develop|generate|make|build} {your own|your personal|your own personal|your very own|your individual|your own private} magic {wherever|anywhere|where ever} and {whenever|Anytime|Every time|Each time|When|Any time}, with {an added|an additional} {feature|function|characteristic|attribute|element|aspect} of {adjusting|modifying|altering|changing} Pitch / Scale and tempo {as per|According to} your singing {needs|requirements|wants|demands|desires|requires}. Our {Online|On-line|On the internet|On the web|On the net|On line} Karaoke:|ये है दुनिया की सबसे लंबी औरत, जानिए कितनी है इनकी...|कोई है मुन्तज़िर कितना ये लहजे बोल देते है|इस शे’र का मिज़ाज ग़ज़ल के पारंपरिक स्वभाव के समान है। चूँकि फ़ैज़ ने प्रगतिशील विचारों के प्रतिनिधित्व में भी उर्दू छंदशास्त्र की परंपरा का पूरा ध्यान रखा इसलिए उनकी रचनाओं में प्रतीकात्मक स्तर पर प्रगतिवादी सोच दिखाई देती है इसलिए उनकी शे’री दुनिया में और भी संभावनाएं मौजूद हैं। जिसका सबसे बड़ा उदाहरण ये मशहूर शे’र है। बाद-ए-नौ-बहार के मायने नई बहार की हवा है। पहले इस शे’र की व्याख्या प्रगतिशील विचार को ध्यान मे रखते हुए करते हैं। फ़ैज़ की शिकायत ये रही है कि क्रांति होने के बावजूद शोषण की चक्की में पिसने वालों की क़िस्मत नहीं बदलती। इस शे’र में अगर बाद-ए-नौबहार को क्रांति का प्रतीक मान लिया जाये तो शे’र का अर्थ ये बनता है कि गुलशन (देश, समय आदि) का कारोबार तब तक नहीं चल सकता जब तक कि क्रांति अपने सही मायने में नहीं आती। इसीलिए वो क्रांति या परिवर्तन को सम्बोधित करते हुए कहते हैं कि जब तुम प्रगट हो जाओगे तब फूलों में नई बहार की हवा ताज़गी लाएगी। और इस तरह से चमन का कारोबार चलेगा। दूसरे शब्दों में वो अपने महबूब से कहते हैं कि तुम अब आ भी जाओ ताकि गुलों में नई बहार की हवा रंग भरे और चमन खिल उठे।|This {website|Web site|Site|Internet site|Web page|Web-site} is {using a|utilizing a|employing a} {security|safety|protection|stability} {service|services|support|provider|assistance|company} {to protect|to guard|to safeguard|to shield} {itself|by itself|alone} from {online|on-line|on the internet|on the web|on the net|on line} {attacks|assaults}. The {action|motion} {you just|you simply|you only|you merely} {performed|carried out|done|executed} {triggered|induced|activated|brought on} {the security|the safety} {solution|Answer|Remedy|Resolution|Option|Alternative}. {There are several|There are many|There are numerous|There are lots of|There are various|There are plenty of} {actions|steps} {that could|that may|that might|that can|that would|which could} {trigger|set off|cause|bring about|induce|result in} this block {including|such as|which includes|like|which include|together with} {submitting|distributing|publishing} {a certain|a particular|a specific} {word|phrase|term} or phrase, a SQL command or malformed {data|information|info|knowledge|facts|details}.|{We've|We have} all {grown|developed} up with that {one|1|a single|one particular|just one|a person} cousin {in the|within the|inside the|while in the|from the|during the} {family|family members|loved ones|household|relatives|spouse and children}, the {one|1|a single|one particular|just one|a person} who's {known for|recognized for|noted for} their {spectacular|magnificent|breathtaking|stunning|impressive|amazing} singing voice. 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{{Compare|Evaluate|Examine|Assess|Review|Look at} this Faiz’s she’r. In Makhdoom’s Ghazal {the picture|the image} {is one of|is among} a mad/passionate wanderer ala Majnun. Faiz bemoans the absence {of this|of the} wanderer to {the point|The purpose} that even the {door|doorway} knocker {is calling|is asking|is looking} for him.|{Either|Both|Possibly} {email|e-mail|e mail|electronic mail} addresses are {anonymous|nameless} for this {group|team} or {you need|you'll need|you will need|you may need|you require|you would like} the {view|see|check out|look at|watch|perspective} member {email|e-mail|e mail|electronic mail} addresses {permission|authorization} to {view|see|check out|look at|watch|perspective} {the original|the initial|the first} {message|concept|information}|raaz-e-ulfat chhupa ke dekh liya dil bahut kuchh jala ke dekh liya aur kya dekhne ko baqi hai aap se dil laga ke dekh liya wo mere ho ke bhi mere na hue un ko apna bana ke dekh liya aaj un ki nazar mein kuchh hum ne sab ki nazren bacha ke dekh liya ‘faiz’ takmil-e-gham bhi ho na saki ishq ko aazma ke dekh liya|{Duration|Length|Period} : 06:{41|forty one}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18041    Aaj Hua Mera Dil aaj hua mera dil matwaala gaate chale hum pyaar ki sargam tu {hi|Hello} bata humdam mere kisne ye jaadoo daala aaj hua mera dil matwaala gaate chale hum pyaar ki sargam tu {hi|Hello} bata humdam mere kisne ye jaadoo daala aaj hua mera dil matwaala hooo dil matwaala haan dil matwaala oooooo oooo oooo ooooo bheegi fizaayen thandi hawaayen humko kahaan le chalin oooooo oooo oooo ooooo hoooooo oooo ooooo kaanon mein pyaar ka ye paiyaam de chali kaanon mein pyaar ka ye paiyaam de chali dil mein hua ujiyaalaa aaj hua mera dil matwaala gaate chale hum pyaar ki sargam tu {hi|Hello} bata humdam mere kisne ye jaadoo daala aaj hua mera dil matwaala hooo dil matwaala hooo dil matwaala oooooo oooo oooo ooooo khaabon mein jiske khoye huye the aakhir wo din aa gayaaaaa hoooooo oooo ooooo thi jiski aarzoo dil muraad paa gaya thi jiski aarzoo dil muraad paa gaya sang hai mera dilwaala aaj hua mera dil matwaala gaate chale hum pyaar ki sargam tu {hi|Hello} bata humdam mere kisne ye jaadoo daala aaj hua mera dil Chhote Nawab (1961) 05:{44|forty four} 12984     {Category|Class|Group|Classification}|{Duration|Length|Period} : 05:{44|forty four}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 12984    Aaj Kahin Mat Jaa kahin na jaa aaj kahin mat jaa phir mile na mile ye pal ye samaa baahon mein aa jaa kahin na jaa aaj kahin mat jaa phir mile na mile ye pal ye samaa baahon mein aa jaa ye jo bas mein kadam nahin tere {main|primary|principal|major|key|most important} samalungi tu aa sang mere tere dil ki manzil hai yahaan ye jo bas mein kadam nahin tere {main|primary|principal|major|key|most important} samalungi tu aa sang mere tere dil ki manzil hai yahaan jaane waafa sach hai kisko pata phir mile na mile ye pal ye samaa baahon mein aa jaa meri raahon ka diya teri aankhein mere ghum ki dawa teri baatein to phir aur jaana hai kahaan aa aa aa aa meri raahon ka diya teri aankhein mere ghum ki dawa teri baatein to phir aur jaana hai kahaan kahin na jaa aaj kahin mat jaa phir mile na mile ye pal ye samaa baahon mein aa jaa uljhan teri {main|primary|principal|major|key|most important} sab jaano tujhe teri tarah pehchaano jo {main|primary|principal|major|key|most important} hoon to ghum kya jaane jaan jab dil hua tera deewana thokar mein hai saara zamaana mera kya karega ye jahaan jaane waafa sach hai kisko pata phir mile na mile ye pal ye samaa baahon mein aa jaa Bade Dil Wala (1984) 04:{30|thirty} 20721     {Category|Class|Group|Classification}|अपनी मेहबूबा के लिए खुदा से फ़रियाद किया|{Duration|Length|Period} : 05:07   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 39962    Aapki Baaten Aapki Kasmen aapki baaten aapki kasmen sab jhuthe afsaane hain aapse humne pyaar kiya hum bhi kaise deewane hain aapki baaten aapki kasmen sab jhuthe afsaane hain aapse humne pyaar kiya hum bhi kaise deewane hain aapki baaten aapki kasmen ehde wafa ke kya hain ta kaze aagaaz kahan jo ho in jazbaat se wakif wo dil aapke paas kahaan wo dil aapke paas kahaan aap mohabbat aur wafa ki rasmon se begane hain aapse humne pyaar kiya hum bhi kaise deewane hain aapki baaten aapki kasmen iska naam mohabbat kyun ho ye to ek gaao hua kya aagaaz tha afsane ka lekin kya anjaam hua lekin kya anjaam hua {shame|disgrace} wafa benoor huyi ab dil ke daag jalane hain aapse humne pyaar kiya hum bhi kaise deewane hain aapki baaten aapki kasmen Kala Samundar (1962) 03:{20|twenty} 36778     {Category|Class|Group|Classification}|{Duration|Length|Period} : 04:{49|forty nine}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 12546    Aap Yahaan Aaye Kis Liye {hello|hi there|howdy|hi|hello there|good day} aap yahaan aaye kis liye aapne bulaaya iss liye aaye hain to kaam bhi bataaiye haan haan pahle zaraa aap muskuraaiye aap yahaan aaye kis liye aji aapne bulaaya iss liye aaye hain to kaam bhi bataaiye na na pahle zaraa aap muskuraaiye muskuraane ki na koi baat hai aji dekhiye to kyaa haseen raat hai oho kaam to bataaiye bataaiye na na na pahle zaraa aap muskuraaiye aap yahaan aaye kis liye tere binaa haaye haan neend nahin aati hai {really|truly|actually|genuinely|seriously|definitely} yaad teri aa kar aahaa roz tadpaati hai sachmuch apnaa banaa looo haath zaraa thaam looo wah wah wah baar baar poochho na kyaa dil se bhi kaam lo kaam to bataao kam seedhaa saadhaa hai bolo bolo aji lenaa ek wadaa hai kyaa aajaa aajaa shaadi kaa iraadaa hai kyaa kyaa shaadi kaa iraadaa hai shaadi aur tumse shaadi kaa iraadaa hai na na na shaadi haan na baabaa na magar kyon shaadi to barbaadi hai kyaa kho jaati aazaadi hai nahin nahin bye bye aree suno to taa taa mona suno to suno tooo ohh aap yahaan aaye kis liye aapne Kal Aaj Aur Kal (1971) 06:{54|fifty four} 20067     {Category|Class|Group|Classification}|Give wings {to your|for your|in your|to the|on your|towards your} {dreams|desires|goals} {and get|and acquire|and obtain|and have} {succeed in|achieve|reach} {life|lifestyle|existence|daily life|lifetime|everyday living} #hindi #poetry #shivam #porwal #shivamporwal #poem #motivational #inspirational #shivaminspires {Continue|Carry on|Proceed|Keep on|Continue on|Go on} {reading|studying|reading through|looking through|looking at|examining}...|phir chhiDi raat baat phulon ki raat hai ya baraat phulon ki phul ke haar phul ke gajre sham phulon ki raat phulon ki aap ka sath sath phulon ka aap ki baat baat phulon ki nazren milti hain jam milte hain mil rahi hai hayat phulon ki kaun deta hai jaan phulon par kaun karta hai baat phulon ki\ wo sharafat to dil ke sath gai luT gai kaenat phulon ki ab kise hai dimagh-e-tohmat-e-ishq kaun sunta hai baat phulon ki mere dil mein surur-e-subh-e-bahaar teri aankhon mein raat phulon ki phul kh|मिस यू शायरी – याद मेरी भूलना चाहती थी वो|ज़िन्दगी आप जैसे दोस्तों पर नाज़ करती हैं|मेरे बेजान दिल को देख मुझे मुर्दा न समझना|Itrey sabnum ki tarah jalah hai mera daman bhi Mai manzil ki jistu ju kya karoon, ab rasta bhi nazar nhi|Your browser isn’t supported {anymore|any longer|any more}. Update it {to get the|to obtain the|to have the|to find the} {best|very best|greatest|ideal|finest|most effective} YouTube {experience|encounter|expertise|knowledge|practical experience|working experience} and our {latest|newest|most recent|most current|most up-to-date|hottest} {features|attributes|functions|characteristics|capabilities|options}. {Learn more|Find out more}|{Duration|Length|Period} : 05:{48|forty eight}   {Song|Tune|Track|Music} {Number|Quantity|Amount|Variety|Range|Selection} : 18419    Aaina Wohi Rehta Hai hm hm hm hm hm hm hmmmm hm hm hm hm hm hm aaina wohi rehtaa hai chehre badal jaate hain aaina wohi rehtaa hai chehre badal jaate hain aaina wohi rehtaa hai chehre badal jaate hain aankhon mein rukte nahin jo aansoo nikal jaate hain aaina wohi rehtaa hai chehre badal jaate hain pehli mulaaqaat ki tauba wo pehli nazar hoo pehli mulaaqaat ki tauba wo pehli nazar kyaa ho gayaa kab huaa hoti nahin kuchh khabar kitnaa bhi dil ko sambhaalun armaan machal jaate hain aaina ki aaina wohi rehtaa hai chehre badal jaate hain aaina wohi rehtaa hai chehre badal jaate hain gulshan mein phoolon ke saath khilte hain dil mein gulaab hooo gulshan mein phoolon ke saath khilte hain dil mein gulaab hota hai jab pyaar to lagtaa hai paani sharaab do ghoont peete {hi|Hello} lekin ye honthh jal jaate hain aaina ki aaina wohi rehtaa hai chehre badal jaate hain aaina wohi rehtaa hai chehre badal jaaaa bekhabar bekadar pyaar sach hai agar dekhnaa ek din royegaa mere bin raah mein chhodkar meraa dil Shalimar (1978) 06:{41|forty one} 18041     {Category|Class|Group|Classification}|com {to your|for your|in your|to the|on your|towards your} '{Approved|Authorized|Accepted|Accredited|Permitted|Authorised} Sender' {list|checklist|listing|record}, {within|inside|inside of|in|within just|in just} your {email|e-mail|e mail|electronic mail} reader. {If you do not|If you don't} {receive|obtain|get|acquire} {the email|the e-mail} {message|concept|information} {within|inside|inside of|in|within just|in just} {a few minutes|a couple of minutes}, {please|make sure you|remember to|you should|be sure to} {check|Verify|Examine|Check out|Test|Look at} your Spam folder just {in case|in the event|just in case|in the event that} {the email|the e-mail} {got|received|acquired|obtained|bought} {delivered|sent|shipped} there {instead of|rather than|as opposed to|as an alternative to|in place of|in lieu of} your inbox. {If so|If that's the case|In that case|If that is so|If that's so}, {select|choose|pick|decide on|pick out|find} the {confirmation|affirmation} {message|concept|information} and mark it Not Spam, which {should|ought to|must|need to|really should|should really} {allow|permit|enable|let|make it possible for|allow for} {future|long term|potential|foreseeable future|long run|upcoming} messages {to get|to obtain|to acquire|to have|to receive|for getting} {through|via|by means of|by way of|by|as a result of}.|अगर आई है, तो प्लीज पोस्ट् को शेयर करें अपने दोस्तों के साथ.|{Duration|Length|Period} : 05:{58|fifty eight}   {Song|Tune|Track|Music}

 Aa Mulaqaaton Ka Mausam sa ni dha pa ni dha pa ma ga pa ma ga ga ma dha pa ni dha ni sa re ga ma pa ma gaaa sa ni dha pa ni dha pa ma ga pa ma ga aa mulaqaaton ka mausam aa gaya pyaar ki baaton ka mausam aa gaya aa gaya aaja la la la aaja la la la aa mulaqaaton ka mausam aa gaya aa mulaqaaton ka mausam aa gaya pyaar ki baaton ka mausam aa gaya aa gaya aa aa aa aaaaa aa mulaqaaton ka mausam aa gaya aa mulaqaaton ka mausam aa gaya pyaar ki baaton ka mausam aa gaya aa gaya aa aa aa aaaaa teri soorat ko aankhein tarasne lagi teri furkat mein aankhein barasne lagi teri soorat ko aankhein tarasne lagi teri furkat mein aankhein barasne lagi jaise barsaaton ka mausam aa gaya aa gaya aa aa aa aaaa aa mulaqaaton ka mausam aa gaya pyaar ki baaton ka mausam aa gaya aa gaya aa aa aa aaaaa toot kar yun teri yaad aati rahi raat bhar neend mujhko jagaati rahi toot kar yun teri yaad aati rahi raat bhar neend mujhko jagaati rahi jaagti raaton ka mausam aa gaya aa gaya aa aa aa aaaaa dekh chalne lagi phir {Lovers|Enthusiasts|Fans} (1983) 06:{52|fifty two} 32714     {Category|Class|Group|Classification}}}